माली मौली पताकी च जटी मुंडी शिखंड्यपि । कुण्डली लांगली बालः कुमारः प्रवरो वरः
mālī maulī patākī ca jaṭī muṃḍī śikhaṃḍyapi | kuṇḍalī lāṃgalī bālaḥ kumāraḥ pravaro varaḥ
汝は花鬘をまとい、宝冠を戴き、幡旗を執る。結髪し、剃髪し、また頂髻を具す。耳環を着け、犂を携える。汝は神なる若子—クマーラ—最も勝れ、至上の御方。
Viśvāmitra
Listener: Phālguna (Arjuna)
Scene: A composite iconographic montage of Kumāra: youthful face, garland and crown, a victory banner; alternately shown with jaṭā or shaven head, with a crest/śikhā; wearing earrings; holding or associated with a plough (lāṅgala). The scene can be rendered as multiple vignettes around a central Kumāra figure to show ‘many forms, one deity’.
The many epithets celebrate the deity’s manifold forms—showing that divine power accommodates diverse modes of worship and contemplation.
No tīrtha is specified; the verse is iconographic praise within the 108 names.
None directly; it supports dhyāna (meditative visualization) through descriptive names.