हा कालबालकवती किमुतेन राज्ञी त्वत्कालतां न हृतवान्नसुताननेंदुः । बालेति कोमलमृणाल लतांगलीलं दंभोलिनिष्ठुरकठोरकुठारदंष्ट्रः
hā kālabālakavatī kimutena rājñī tvatkālatāṃ na hṛtavānnasutānaneṃduḥ | bāleti komalamṛṇāla latāṃgalīlaṃ daṃbholiniṣṭhurakaṭhorakuṭhāradaṃṣṭraḥ
ああ—時によって子を失わされた!ではこの王妃はどうなるのか。息子の顔の月は、彼女の命そのものを奪い去ったではないか。『幼子なのに!』—それでも、柔らかな蓮の茎や蔓のような身のたおやかな戯れは、牙を残酷な雷霆、堅い斧、無慈悲な刃にもつ「時」に打たれた。
Narrator/lamentspeaker within the story (describing the queen’s grief)
Tirtha: Kāśī (Avimukta)
Type: kshetra
Scene: A queen clutches her chest, staring at the imagined ‘moon-face’ of her son; Kāla is personified with thunderbolt/axe/blade-like fangs striking the tender lotus-stalk body of the child.
It stresses impermanence: Time spares none, urging the seeker toward the deathless refuge praised throughout the Kāśī Khaṇḍa.
Not named in the verse; the larger Kāśī Khaṇḍa context points to Kāśī as the sacred place where death is transformed into liberation.
None explicitly.