Śumbha–Niśumbha-pīḍā and Devastuti to Durgā/Śivā
Names and Forms of the Devī
दृष्ट्वा मनोहरं तस्या रूपं नेत्रसुखावहम् । पेततुस्तौ धरामध्ये नष्टसंज्ञौ विमोहितौ
dṛṣṭvā manoharaṃ tasyā rūpaṃ netrasukhāvaham | petatustau dharāmadhye naṣṭasaṃjñau vimohitau
彼女の目を喜ばせるほどに麗しい姿を見て、二人は地に倒れた――惑乱し、意識を失い、迷妄に呑まれたのである。
Suta Goswami
Tattva Level: pashu
Shakti Form: Gaurī
Role: teaching
It illustrates how sensory fascination can overwhelm embodied beings; in Shaiva Siddhanta, such moha is a pasha (bond) that must be transcended through devotion, discipline, and Shiva-bestowed clarity.
The verse contrasts outward, sense-capturing form with the steadiness sought in worship; saguna devotion is meant to mature into inner composure and discrimination, leading the seeker toward Shiva’s liberating grace rather than mere sensory absorption.
Cultivate steadiness through japa of the Panchakshara (Om Namaḥ Śivāya) and meditative restraint of the senses, so that beauty does not become bondage but is integrated into devotion and discernment.