शिवविहारवर्णनम् (Śivavihāra-varṇana) — “Description of Śiva’s Divine Pastimes/Sojourn”
इत्यादि संस्तुवञ् शंभुं बहुधा सोमरैर्मया । रुरोदाति हरिस्तत्र तारकार्तैर्मुनीश्वर
ityādi saṃstuvañ śaṃbhuṃ bahudhā somarairmayā | rurodāti haristatra tārakārtairmunīśvara
かくして、我が作した天なる讃歌をもって、さまざまにシャンブ(シヴァ)を讃嘆したところ、そこにてハリ(ヴィシュヌ)は涙を流し始めた。ああ、牟尼の主よ、タ―ラカの苛虐に心を痛めて。
Brahmā (narrating to a sage addressed as munīśvara, within the Kumārakhaṇḍa narrative)
Tattva Level: pashu
Shiva Form: Mahadeva
Type: stotra
Offering: pushpa
It shows that even Hari (Viṣṇu) seeks Śambhu as the supreme refuge (Pati) in times of overwhelming affliction, emphasizing bhakti, surrender, and Shiva’s lordship as the remover of cosmic suffering.
The act of praising Śambhu “in many ways” reflects Saguna-upāsanā—approaching Shiva through name, form, and hymn; such stuti commonly culminates in Linga-worship as the accessible, grace-bestowing manifestation of the Supreme.
Stotra-japa and heartfelt śaraṇāgati (taking refuge) are implied—reciting Shiva hymns or the Pañcākṣarī (Om Namaḥ Śivāya) with devotion, especially during hardship, as a direct Shaiva practice.