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Valmiki Ramayana 2.91.47: Ayodhya Kanda, Sarga 91, Shloka 47

भरद्वाजाश्रमे भरतसैन्यस्य दिव्यात्मिथ्यम् / Divine Hospitality to Bharata’s Army at Bharadvaja’s Hermitage

अलम्बुसा मिश्रकेशी पुण्डरीकाऽथ वामना ।

उपानृत्यंस्तु भरतं भरद्वाजस्य शासनात् ॥४७॥

Recitation with translationValmiki Ramayana 2.91.47

alambusā miśrakeśī puṇḍarīkā 'tha vāmanā |

upānṛtyaṃs tu bharataṃ bharadvājasya śāsanāt ||47||

そのとき、アランブサー、ミシュラケーシー、プンダリーカー、そしてヴァーマナーは、バラドヴァージャの命に従い、バラタの傍らで舞った。

अलम्बुसाAlambusā
अलम्बुसा:
कर्ता (Karta; member of subject group)
TypeNoun
Rootअलम्बुसा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन (proper noun)
मिश्रकेशीMiśrakeśī
मिश्रकेशी:
कर्ता (Karta; member of subject group)
TypeNoun
Rootमिश्र (विशेषण-प्रातिपदिक) + केशी (प्रातिपदिक)
Formबहुव्रीहि-समास: मिश्राः केशाः यस्याः; स्त्रीलिङ्ग, प्रथमा, एकवचन (proper name/epithet)
पुण्डरीकाPuṇḍarīkā
पुण्डरीका:
कर्ता (Karta; member of subject group)
TypeNoun
Rootपुण्डरीका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन (proper noun)
अथthen
अथ:
सम्बन्ध-बोधक (Discourse connector)
TypeIndeclinable
Rootअथ (अव्यय)
Formअव्यय; अनन्तरार्थक (sequencing particle)
वामनाVāmanā
वामना:
कर्ता (Karta; member of subject group)
TypeNoun
Rootवामना (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन (proper noun)
उपानृत्यन्dancing near
उपानृत्यन्:
क्रिया-विशेषण (Adverbial participle)
TypeVerb
Rootउप + √नृत् (धातु) (कृदन्त; शतृ)
Formवर्तमानकाले कृदन्त (present participle, शतृ); पुंलिङ्ग, प्रथमा, बहुवचन — used adverbially with implied ‘they’
तुindeed
तु:
सम्बन्ध-बोधक (Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विशेषार्थक (particle)
भरतम्Bharata
भरतम्:
कर्म (Karma/Object)
TypeNoun
Rootभरत (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Acc), एकवचन
भरद्वाजस्यof Bharadvāja
भरद्वाजस्य:
सम्बन्ध (Genitive relation)
TypeNoun
Rootभरद्वाज (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी, एकवचन
शासनात्by (his) command
शासनात्:
हेतु/अपादान (Cause/Source)
TypeNoun
Rootशासन (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी (Abl), एकवचन — ‘from/according to command’

Thereafter, the apsaras, Alambusa, Misrakesi, Pundarika and Vamana danced near Bharata at the command of Bharadwaja.

V
Vāmanā
B
Bharadvāja
B
Bharata

FAQs

Dharma governs even pleasure: entertainment is presented as ordered and purposeful (under a sage’s direction), not chaotic indulgence.

Specific named apsarases perform dance for Bharata as part of the sage’s arranged welcome.

Bharadvāja’s mastery and responsibility—he orchestrates resources (even celestial) in a controlled, dharmic manner.

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