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Shloka 41

Kāṣṭhīlā-Ākhyāna: Ratnāvalī’s Return, Co-wife Dharma, and the Phālguna Propitiation

सप्ताहमुत्सवः कार्यो ह्यष्टम्या आचतुर्दशीम् । नटनर्तकयुक्तेन गीतवाद्येन भूरिणा ॥ ४१ ॥

saptāhamutsavaḥ kāryo hyaṣṭamyā ācaturdaśīm | naṭanartakayuktena gītavādyena bhūriṇā || 41 ||

まことに祭礼は七日間行うべし。第八日より第十四日に至るまで、役者と舞人を伴い、豊かな歌と器楽の響きをもって。

सप्ताहम्for a week
सप्ताहम्:
Karma (कर्म)
TypeNoun
Rootसप्ताह (प्रातिपदिक)
Formपुल्लिङ्ग; द्वितीया (2nd/Accusative), एकवचन; काल-परिमाण (duration)
उत्सवःfestival
उत्सवः:
Karta (कर्ता)
TypeNoun
Rootउत्सव (प्रातिपदिक)
Formपुल्लिङ्ग; प्रथमा (1st/Nominative), एकवचन
कार्यःshould be performed
कार्यः:
Vidhi (विधि/predicate)
TypeAdjective
Rootकार्य (कृदन्त-प्रातिपदिक; √कृ)
Formभाव्य/योग्यतार्थक कृदन्त (gerundive), पुल्लिङ्ग; प्रथमा (1st/Nominative), एकवचन; विधेय-विशेषण (to be done)
हिindeed
हि:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootहि (अव्यय)
Formनिपात (particle), हेत्वर्थ/निश्चयार्थ (indeed/for)
अष्टम्याःfrom the eighth (tithi)
अष्टम्याः:
Apadana (अपादान)
TypeNoun
Rootअष्टमी (प्रातिपदिक)
Formस्त्रीलिङ्ग; पञ्चमी (5th/Ablative), एकवचन (from the eighth lunar day)
up to
:
Desha-kala-avadhi (अवधि)
TypeIndeclinable
Rootआ (अव्यय)
Formअव्यय (preverb/adverb) ‘up to, until’
चतुर्दशीम्the fourteenth (tithi)
चतुर्दशीम्:
Karma (कर्म)
TypeNoun
Rootचतुर्दशी (प्रातिपदिक)
Formस्त्रीलिङ्ग; द्वितीया (2nd/Accusative), एकवचन (till the fourteenth tithi)
नट-नर्तक-युक्तेनwith actors and dancers
नट-नर्तक-युक्तेन:
Karana (करण)
TypeAdjective
Rootनट (प्रातिपदिक) + नर्तक (प्रातिपदिक) + युक्त (कृदन्त-प्रातिपदिक; √युज्)
Formतत्पुरुष-समास (समाहार/संबन्ध): नटैः नर्तकैः च युक्तः; नपुंसक/पुं-समन्वयात् साधारणतः पुल्लिङ्ग-प्रयोग; तृतीया (3rd/Instrumental), एकवचन; साधन-निर्देश (with/using)
गीत-वाद्येनwith singing and musical instruments
गीत-वाद्येन:
Karana (करण)
TypeNoun
Rootगीत (प्रातिपदिक) + वाद्य (प्रातिपदिक)
Formइतरेतर-द्वन्द्व (copulative): गीतं च वाद्यं च; नपुंसकलिङ्ग; तृतीया (3rd/Instrumental), एकवचन (instrumental of means)
भूरिणाin abundance
भूरिणा:
Visheshana (विशेषण)
TypeAdjective
Rootभूरि (प्रातिपदिक)
Formविशेषण; नपुंसकलिङ्ग/पुल्लिङ्ग-प्रयोग (here instrumental singular agreeing with ‘गीतवाद्येन’ as abundance qualifier); तृतीया (3rd/Instrumental), एकवचन

Narada

Vrata: none

Rasa: {"primary_rasa":"bhakti","secondary_rasa":"adbhuta","emotional_journey":"From a clear ritual injunction to an expansive celebratory mood through performance, song, and instruments."}

FAQs

It frames utsava (devotional festival) as a regulated, time-bound sacred observance—seven days from Aṣṭamī to Caturdaśī—where collective joy, sound, and celebration become an offering that strengthens dharma and devotion.

Bhakti is expressed here through communal worship and celebratory service—song (gīta), instruments (vādya), dance and performance—treating beauty and festivity as dedicated acts meant to please the deity and inspire devotees.

It uses calendrical and ritual timing based on tithi reckoning (Aṣṭamī–Caturdaśī), reflecting practical Jyotiṣa-style scheduling used in vrata and temple-utsava planning.