The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
प्रीतिस्था नित्ययंत्रस्था गोलोकस्था विभूतिदा । स्वानुभूतिस्थिता व्यक्ता सर्वलोकनिवासिनी ॥ १९२ ॥
prītisthā nityayaṃtrasthā golokasthā vibhūtidā | svānubhūtisthitā vyaktā sarvalokanivāsinī || 192 ||
彼女はプリーティ(神聖なる愛)に住し、永遠の宇宙秩序に確立している。ゴーローカに住み、ヴィブーティ(霊的威徳・力)を授ける。自らの直証に堅く立ち、明らかに顕現して、あらゆる世界に遍住する。
Sanatkumara (in dialogue instruction to Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It portrays the Divine Feminine power as simultaneously transcendent (in Goloka), immanent (present in all worlds), and accessible through prīti (devotional love) and svānubhūti (direct realization).
By placing prīti (loving devotion) as the primary ‘abode’ of the Divine, it implies that bhakti is not merely ritual performance but a state in which the deity’s presence becomes manifest and transformative.
Rather than a specific Vedanga technique, the verse emphasizes the doctrinal framework used in Vedic sciences—cosmic order (nitya-yantra) and experiential verification (svānubhūti)—as the basis for understanding divine manifestation.