The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
सप्ताक्षरो मनुश्चास्य मुन्याद्यर्चादि पूर्ववत् । बकः सेंदुश्च शत्रुध्नपरं ङेतं हृदंतिमः ॥ १७६ ॥
saptākṣaro manuścāsya munyādyarcādi pūrvavat | bakaḥ seṃduśca śatrudhnaparaṃ ṅetaṃ hṛdaṃtimaḥ || 176 ||
この(本尊/マントラ)において、マントラは七音節である。主宰のリシ(ṛṣi)および、リシへの礼拝に始まる供養の作法は、先に説かれたとおりに行うべきである。随伴する徴は、鶴(baka)と月(indu)であり、敵を滅する(śatrudhna)ことに向けられている。最後の適用は「hṛdaya(心臓・心)」で結ぶ。
Narada (teaching in a technical/vidhi register within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It encodes technical mantra-vidhi: the mantra’s syllable-count, the standard preliminaries of worship “as taught earlier,” and the specific application ending in the heart-formula—showing that correct method (vidhi) is integral to mantra efficacy.
Bhakti here is expressed through disciplined upāsanā: following the prescribed sequence of worship and inner placement (hṛdaya-nyāsa) so devotion becomes focused, reverent, and ritually precise rather than merely emotional.
It highlights mantra-śāstra procedure: counting syllables (chandas/phonetic discipline), performing pūrvavat arcā-krama, and applying a hṛdaya-ending formula (nyāsa), all typical of technical ritual instruction found in Vedanga-oriented passages.