Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
सुषुम्णावर्त्मना पुष्पमाघ्रायोद्वासयेद् बुधः । शंखचक्रशिलालिंगविघ्नसूर्यद्वयं तथा ॥ १२० ॥
suṣumṇāvartmanā puṣpamāghrāyodvāsayed budhaḥ | śaṃkhacakraśilāliṃgavighnasūryadvayaṃ tathā || 120 ||
賢者はスシュムナーの道(suṣumṇā)を通して花の香を吸い、ついで柔らかく吐き出すべきである。同様に観想すべきは、法螺(śaṅkha)、円輪(cakra)、聖なる石(śilā)、リンガ、障碍を除く者(ヴィグナ/ガネーシャ)、そして二つの太陽である。
Sanatkumara (teaching Narada in a technical/ritual-yogic register)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It links inner yogic practice (directing breath through the suṣumṇā) with outer sacred symbols, teaching that disciplined prāṇa and focused contemplation together stabilize worship and concentration.
By naming devotional emblems—especially śaṅkha and cakra associated with Viṣṇu—it frames breath-control and mental recollection as supports for steady upāsanā, making devotion more one-pointed and embodied.
A technical procedure combining regulated inhalation/exhalation with dhyāna on specific ritual icons—typical of the Narada Purana’s Book 1.3 emphasis on applied disciplines and methodical practice.