Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
इति पुष्पांजलिं दत्वा ततः संहारमुद्रया । निधाय देवं सांगं च स्वीयदृत्सरसीरुहे ॥ ११९ ॥
iti puṣpāṃjaliṃ datvā tataḥ saṃhāramudrayā | nidhāya devaṃ sāṃgaṃ ca svīyadṛtsarasīruhe || 119 ||
このように、花を一握り(プシュパーンジャリ)捧げたのち、さらにサンハーラの印(結行・収攝のムドラー)を結び、神尊をその諸肢分と眷属とともに、自らの心の湖に咲く蓮華へと観想して納めるべきである。
Narada (teaching ritual procedure within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches the proper conclusion of worship: after external offering, the practitioner withdraws the ritual into inner contemplation by placing the Deity in the heart-lotus, turning pūjā into steady remembrance.
Bhakti here is not only outward offering (flowers) but also inward retention—keeping the Lord present in the heart after the rite ends, so devotion continues beyond the ritual space.
It highlights ritual-technical practice: the use of a specific mudrā (saṃhāra) and the procedural step of concluding worship through internal installation (manasika-nidhāna), a key element of disciplined pūjā-vidhi.
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