Dhvaja-Dhāraṇa Mahātmyam: Sumati–Satyamatī, Humility, and Deliverance by Hari’s Messengers
तनुवस्त्रापरिज्ञानौ नृत्यं चकृव मोहितौ । प्रारब्धकर्म भोगान्तमावां युगपदागतौ ॥ ५१ ॥
tanuvastrāparijñānau nṛtyaṃ cakṛva mohitau | prārabdhakarma bhogāntamāvāṃ yugapadāgatau || 51 ||
迷妄により、我らは自らの身と衣の覚えを失い、舞い踊り始めた。しかも同時に相会して、すでに始動した業(プラーラブダ)の果報を受け尽くす終わりに至った。
Narada (narrative voice within the dialogue tradition; exact interlocutor not specified in this single verse)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It highlights how moha (delusion) can overwhelm self-awareness, while also affirming a key karmic doctrine: prārabdha karma must be experienced to its end, after which its binding force is exhausted.
By showing the dangers of delusion and loss of discernment, it indirectly points to Bhakti as a stabilizing refuge: devotion to Vishnu steadies the mind and helps one endure prārabdha without being carried away by moha.
No specific Vedanga (such as Vyakarana, Jyotisha, or Kalpa) is taught directly here; the practical takeaway is doctrinal—understanding prārabdha (karma already begun) as a framework for interpreting life events and spiritual practice.