Bhāgīratha’s Bringing of the Gaṅgā
परं शब्दब्रह्मरूपं तं वन्देऽखिलकारणम् । कपर्द्दिने नमस्तुभ्यं सद्योजाताय वै नमः ॥ ९२ ॥
paraṃ śabdabrahmarūpaṃ taṃ vande'khilakāraṇam | kaparddine namastubhyaṃ sadyojātāya vai namaḥ || 92 ||
聖なる音のブラフマン(シャブダ・ブラフマン)としての御姿をもち、万有の因である至上者に礼拝する。結髪の主カパルディンよ、汝に敬礼。まことにサディヨージャータにも敬礼。
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It venerates the Supreme as Śabda-Brahman—ultimate reality expressed as sacred sound—affirming that the Lord (here praised as Śiva) is the universal cause and the proper object of devotion.
Bhakti is expressed through direct namaskāra and praise: recognizing the Lord’s supremacy and causality, the devotee bows with reverence to specific divine epithets (Kapardin, Sadyōjāta), turning theology into worship.
The verse points to mantra-centric practice: understanding divine names/epithets and the doctrine of Śabda-Brahman supports correct recitation and contemplative use of sacred sound (a foundation relevant to Śikṣā and Vyākaraṇa in Vedic tradition).