Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
अथ विभाति विभोर्विशदं वपुर् भसितभासितमंबिकया तया सितमिवाभ्रमहो सह विद्युता नभसि देवपतेः परमेष्ठिनः
atha vibhāti vibhorviśadaṃ vapur bhasitabhāsitamaṃbikayā tayā sitamivābhramaho saha vidyutā nabhasi devapateḥ parameṣṭhinaḥ
そのとき、遍満する主(ヴィブ)の清浄無垢なる御身が赫々と輝き出た――聖なる灰(バスマ)とアンビカーの臨在によって光を増し――天に白雲が稲妻を帯びて閃くがごとく、驚嘆すべき姿として、神々の上なる至上主が現れた。
Suta Goswami (narrating to the sages of Naimisharanya)
It presents Śiva’s manifest brilliance as inseparable from Ambikā (Śakti) and marked by bhasma—key symbols in Liṅga-pūjā where ash signifies purification, detachment from pāśa (bondage), and devotion to Pati (the Lord).
Śiva is portrayed as Vibhu (all-pervading) and Viśada (stainless purity), whose tejas shines forth; in Shaiva Siddhānta terms, he is Pati—transcendent yet revealing himself through grace, with Śakti as his manifest power.
The verse foregrounds bhasma as a Shaiva marker—supporting bhasma-dhāraṇa (applying sacred ash) as a discipline of purity and dispassion aligned with Pāśupata-oriented practice and Śiva-bhakti.