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Shloka 32

क्षुपस्य विष्णुदर्शनं, वैष्णवस्तोत्रं, दधीचविवादः, स्थानेश्वरतीर्थमाहात्म्यं

शैलादिरुवाच श्रुत्वा वाक्यं क्षुपः प्राह तथास्त्विति जनार्दनम् भगवानपि विप्रस्य दधीचस्याश्रमं ययौ

śailādiruvāca śrutvā vākyaṃ kṣupaḥ prāha tathāstviti janārdanam bhagavānapi viprasya dadhīcasyāśramaṃ yayau

シャイラーディは言った。言葉を聞くや、クシュパはジャナールダナに「そのとおりに」と答えた。すると、その福徳ある主もまた、婆羅門ダディーチ(Dadhīci)の庵へと赴いた。

शैलादिःŚailādi (the narrator)
शैलादिः:
उवाचsaid
उवाच:
श्रुत्वाhaving heard
श्रुत्वा:
वाक्यम्the statement/words
वाक्यम्:
क्षुपःKṣupa (a named person in the dialogue)
क्षुपः:
प्राहsaid/replied
प्राह:
तथास्तुso be it/let it be so
तथास्तु:
इतिthus
इति:
जनार्दनम्to Janārdana (Vishnu/Kṛṣṇa as ‘remover of afflictions’)
जनार्दनम्:
भगवान्the Blessed Lord
भगवान्:
अपिalso/indeed
अपि:
विप्रस्यof the brahmin
विप्रस्य:
दधीचस्यof Dadhīci
दधीचस्य:
आश्रमम्hermitage
आश्रमम्:
ययौwent
ययौ:

Śailādi

J
Janārdana (Vishnu)
D
Dadhīci

FAQs

It frames a dharmic movement toward a rishi’s āśrama—an archetypal setting where Śiva-tattva is later clarified through tapas, mantra, and right instruction, preparing the ground for Linga-centered understanding.

Indirectly: by showing the Lord’s willing approach to a tapasvin’s hermitage, the verse echoes the Shaiva Siddhānta theme that Pati (the Lord) is accessible through dharma and purified intention, guiding pashus (souls) toward release from pāśa (bondage).

Āśrama-gamana (going to the sage’s hermitage) implies seeking tapas and instruction—an entry point to Pāśupata-aligned discipline where purification, vows, and mantra-oriented practice mature into devotion and insight.