स्नानविधिः — गायत्र्यावाहन, सूर्यवन्दन, तर्पण, पञ्चमहायज्ञ, भस्मस्नान, मन्त्रस्नान
यावत् त्वदृष्टम् अभवद् उटजानां छदं नरः प्राच्यामुदीच्यां च तथा प्रागुदीच्यामथापि वा
yāvat tvadṛṣṭam abhavad uṭajānāṃ chadaṃ naraḥ prācyāmudīcyāṃ ca tathā prāgudīcyāmathāpi vā
その男が、修行者たちの葉庵の茅葺きの覆いをまだ見いださぬかぎり—東であれ北であれ、あるいは北東であれ—彼はなお探し求めて進み続けた。
Suta Goswami (narrating the episode within the Linga Purana)
It frames the seeker’s movement through sacred directions toward ascetic hermitages—an archetype for approaching the Linga through purity, tapas, and right orientation (dik) before worship.
Indirectly, it presents Shiva-tattva as approached through disciplined seeking: the Pashu (individual) moves through outer space (directions) toward sanctified space (āśrama), reflecting the inner journey from Pāśa (bondage) toward Pati (the Lord).
It emphasizes pilgrimage-like seeking and āśrama-darśana as a preparatory discipline—akin to Pāśupata orientation and mental purification prior to formal pūjā or yogic absorption.