एकार्णव-सृष्टिक्रमः, ब्रह्म-विष्णु-परस्परप्रवेशः, शिवस्य आगमनं च
एवं तत्र शयानेन विष्णुना प्रभविष्णुना आत्मारामेण क्रीडार्थं लीलयाक्लिष्टकर्मणा
evaṃ tatra śayānena viṣṇunā prabhaviṣṇunā ātmārāmeṇa krīḍārthaṃ līlayākliṣṭakarmaṇā
かくして、宇宙の水の上に、顕現において力あるヴィシュヌは安らかに横たわった。自己(アートマン)に歓び、己において円満であり、ただ神聖なる戯れ(リーラー)のためにのみ働きを起こし、労なく業の汚れもない。シヴァ派の理解では、この無労の統御は主(パティ、シヴァ)にのみ属し、束縛された魂(パシュ)は縛(パーシャ)のもとで行為する。
Suta Goswami (narrating to the sages of Naimisharanya)
It frames creation as līlā (divine play) performed without karmic bondage, preparing the theology in which the Linga signifies the transcendent Lord (Pati) whose action is pure and unstained—worthy of worship beyond worldly causality.
Though naming Vishnu, it highlights traits Shaiva Siddhanta attributes to the Supreme Lord: self-sufficiency (ātmārāma) and action free from binding karma (akliṣṭa-karma). This differentiates Pati from paśu, whose actions are conditioned by pāśa.
The key yogic takeaway is niṣkāma, non-binding action—cultivating worship and discipline that reduce pāśa (bondage), aligning the practitioner (paśu) toward the Lord’s effortless purity symbolized by the Linga.