रक्तकल्पे वामदेवदर्शनं चतुर्कुमारोत्पत्तिः
दृष्टः परमया भक्त्या स्तुतश् च ब्रह्मपूर्वकम् तस्माद्ध्यानबलं प्राप्य कल्पे कल्पे प्रयत्नतः
dṛṣṭaḥ paramayā bhaktyā stutaś ca brahmapūrvakam tasmāddhyānabalaṃ prāpya kalpe kalpe prayatnataḥ
至上の帰依によって拝し、またブラフマーを先導として讃えられたのち、禅定より生じる力を得て、人はカルパごとに、カルパを重ねて、主宰(パティ)へと堅固に精進すべきである。
Suta Goswami (narrating the Purana; describing Brahma-led praise and the discipline of dhyana)
It links Linga-darśana and Brahmā-led stuti to the attainment of dhyāna-bala, presenting worship not as a one-time act but as sustained sādhana repeated kalpa after kalpa.
Shiva is implied as the Pati who becomes directly ‘seen’ through supreme bhakti and is approached through disciplined meditation, indicating a transcendent Lord accessible by grace-filled devotion and yogic steadiness.
Brahma-pūrvaka stuti (Vedic-style hymn led by Brahmā) and dhyāna (meditative absorption) are emphasized as the core practices that generate dhyāna-bala in a Pāśupata-oriented path.