Agni Purana — Mantra-shastra, Shloka 11
Tvaritā-pūjā (The Worship of Tvaritā) — Transition Verse and Context
षष्ठस्वरसमारूढं ऊष्मणान्तं सविन्दुकम् तालुवर्गद्वितीयन्तु स्वरैकादशयोजितम्
ṣaṣṭhasvarasamārūḍhaṃ ūṣmaṇāntaṃ savindukam tāluvargadvitīyantu svaraikādaśayojitam
それは第六の母音に乗せ、ウーシュマン（ūṣman、歯擦音）で終え、ビンドゥ（bindu）の鼻点を具えるべし。さらに口蓋類の第二字で終止し、第十一の母音と結合させるべし。
Lord Agni (teaching Vasiṣṭha)
Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Vyakarana","practical_application":"Rule-based bīja formation: selecting specific vowels/consonants (sixth vowel, ūṣmāṇa ending, bindu, second of palatal class, eleventh vowel) to generate a seed-syllable for japa/nyāsa or ritual use.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Formula","entry_title":"Bīja-nirmāṇa by varṇa-indexing (sixth vowel + ūṣmāṇa + bindu etc.)","lookup_keywords":["bīja","bindu","ūṣmāṇa","ṣaṣṭha-svara","tāluvarga"],"quick_summary":"Provides a combinatorial recipe for constructing a mantra-bīja using indexed vowels and consonants, emphasizing precise phonetic components (ūṣmāṇa and bindu) for efficacy and correctness."}
Concept: Mantra efficacy depends on exact varṇa selection, ordering, and nasalization (bindu); śabda is treated as a technical instrument.
Application: When forming/teaching a bīja, specify the varṇa by class-position (e.g., ‘second of palatal’) and add bindu/ūṣmāṇa as instructed; verify pronunciation with śikṣā rules before japa.
Khanda Section: Vyakarana (Phonetics/Varna-samamnaya and Mantra-bija formation)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A scholar constructs a bīja syllable from a phonetic chart: pointing to the sixth vowel, selecting a sibilant, adding bindu, then choosing the second palatal consonant and the eleventh vowel, assembling them into a single seed-syllable on a writing board.","kerala_mural_prompt":"Kerala mural style, large phonetic wheel, highlighted sixth vowel and ūṣmāṇa row, bindu shown as a luminous dot, teacher assembling syllables with stylus, sacred yet scholarly mood","tanjore_prompt":"Tanjore painting, bīja syllable centered with gold radiance, surrounding panels showing selected vowels/consonants, ornate gold work, ritual implements (japa-mālā, manuscript)","mysore_prompt":"Mysore style, step-by-step instructional composition: numbered selections from vowel and consonant grids, final bīja written clearly with bindu, fine linework and clarity","mughal_miniature_prompt":"Mughal miniature of a calligrapher composing a seed syllable, marginal notes indicating ‘sixth vowel’, ‘palatal second’, bindu dot emphasized, refined studio setting"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"instructional"}
Sandhi Resolution Notes: तालुवर्गद्वितीयन्तु = तालुवर्गद्वितीयम् + तु; स्वरैकादशयोजितम् = स्वर + एकादश + योजितम् (समास)
Related Themes: Agni Purana mantra-vidhi and bīja discussions in the same khanda; Agni Purana phonetic tables referenced by 309.8–309.10
FAQs
It gives a precise phonetic recipe for constructing/encoding a mantra-bīja: specify the vowel base (sixth vowel), add an uṣman-ending, apply bindu (anusvāra), and combine with a designated palatal consonant and the eleventh vowel.
Alongside ritual and theology, the Agni Purana preserves technical linguistics—varna (phoneme) classification, vowel–consonant combinatorics, and mantra-phonology—showing it functions as a compendium spanning grammar, tantra, and practical ritual method.
Correct phonetic formation of bīja/mantra is treated as essential for efficacy and purity in japa and nyāsa; accuracy safeguards the rite from error (doṣa) and supports the intended spiritual result (siddhi/puṇya) through properly empowered sound.