यस्तं पूजयते भक्त्या नृत्यगीतादिवादनैः । होमजाप्यैः समाधिस्थः स याति परमां गतिम्
yastaṃ pūjayate bhaktyā nṛtyagītādivādanaiḥ | homajāpyaiḥ samādhisthaḥ sa yāti paramāṃ gatim
Barangsiapa memuja Dia dengan bhakti—melalui tari, nyanyian, dan bunyi alat musik—serta dengan homa ke dalam api suci dan japa mantra berulang, teguh dalam samādhi, ia mencapai tujuan tertinggi.
Īśvara (Śiva)
Tirtha: Lakṣmaṇeśvara (within Rāmeśvara-kṣetra, Prabhāsa)
Type: kshetra
Listener: null
Scene: A devotee before a Śiva-liṅga in Prabhāsa: dancers and singers with vīṇā/mṛdaṅga, a small homa-kuṇḍa blazing, and the worshipper seated in samādhi as lamps flicker in sea-breeze.
Integrated devotion—ritual (homa), mantra (japa), aesthetic offering (music/dance), and meditation (samādhi)—is praised as leading to the highest spiritual attainment.
The Lakṣmaṇeśvara shrine within the Rāmeśvara sacred region of Prabhāsa-kṣetra (context of the chapter).
Pūjā supported by nṛtya-gīta-vādya, homa, and japa, with the worshipper cultivating samādhi.