The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
अतसीपुष्पसङ्काशं फुल्लपङ्कजलोचनम् । किरीटिनं कुण्डलिनं हारकेयूरभूषितम् ॥ ४० ॥
atasīpuṣpasaṅkāśaṃ phullapaṅkajalocanam | kirīṭinaṃ kuṇḍalinaṃ hārakeyūrabhūṣitam || 40 ||
Ia bercahaya laksana bunga atasī yang kebiruan, bermata seperti teratai yang mekar sempurna; bermahkota, beranting, serta berhias kalung dan kelat lengan.
Sanatkumara (teaching Narada in the dialogue context of Book 1.1)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It provides a dhyāna-oriented visualization of Lord Vishnu’s auspicious form (rūpa), making the mind steady through sacred iconographic contemplation.
By describing the Lord’s beauty and ornaments, it draws the devotee’s attention into loving remembrance (smaraṇa) and focused meditation—core practices of Vishnu-bhakti.
Primarily śikṣā and chandas sensibility through precise devotional diction and imagery used for dhyāna; it is not a technical instruction in vyākaraṇa or jyotiṣa in this specific verse.