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Varaha Purana 47.3: Adhyaya 47, Shloka 3

The Rite of Śrāvaṇa Bright-Fortnight Dvādaśī (Dāmodara Worship) and the Exemplum of King Nṛga

Pūrva Bhāga · Ritual Identification (Nyāsa/Deity-Body Mapping)

चक्रपाणयेति भुजौ कण्ठं च हरये तथा । मुञ्जकेशाय च शिरो भद्रायेति शिखां तथा ॥ ४७.३ ॥

Recitation with translationVaraha Purana 47.3

cakrapāṇayeti bhujau kaṇṭhaṃ ca haraye tathā | muñjakeśāya ca śiro bhadrāyeti śikhāṃ tathā || 47.3 ||

चक्रपाणि बोलके दोनों हाथ भगवान को दे दो। हरे बोलके गला दे दो। मुंजकेश बोलके सिर दे दो। और भद्र बोलके जो चोटी है वो दे दो।

cakrapāṇayeto (him) whose hand holds the discus
cakrapāṇaye
TypeNoun
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Singular (एकवचन); षष्ठी-तत्पुरुषः (चक्रस्य पाणिः)
RoleSampradāna (सम्प्रदान/recipient)
Rootcakra + pāṇi (प्रातिपदिक)
itithus (saying)
iti
TypeIndeclinable
FormQuotative particle (इति-प्रयोगः)
RoleSambandha (सम्बन्ध/quotative marker)
Rootiti (अव्यय)
bhujauthe two arms
bhujau
TypeNoun
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Dual (द्विवचन)
RoleKarma (कर्म/object)
Rootbhuja (प्रातिपदिक)
kaṇṭhamthe neck
kaṇṭham
TypeNoun
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
RoleKarma (कर्म/object)
Rootkaṇṭha (प्रातिपदिक)
caand
ca
TypeIndeclinable
FormConjunction (समुच्चयबोधक अव्यय)
RoleSambandha (सम्बन्ध/conjunctive)
Rootca (अव्यय)
harayeto Hari
haraye
TypeNoun
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Singular (एकवचन)
RoleSampradāna (सम्प्रदान/recipient)
Roothari (प्रातिपदिक)
tathālikewise
tathā
TypeIndeclinable
FormAdverb (क्रियाविशेषण अव्यय)
RoleSambandha (सम्बन्ध/adverbial)
Roottathā (अव्यय)
muñjakeśāyato (him) with muñja-like hair
muñjakeśāya
TypeNoun
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Singular (एकवचन); षष्ठी-तत्पुरुषः (मुञ्जस्य केशाः)
RoleSampradāna (सम्प्रदान/recipient)
Rootmuñja + keśa (प्रातिपदिक)
caand
ca
TypeIndeclinable
FormConjunction (समुच्चयबोधक अव्यय)
RoleSambandha (सम्बन्ध/conjunctive)
Rootca (अव्यय)
śiraḥthe head
śiraḥ
TypeNoun
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
RoleKarma (कर्म/object)
Rootśiras (प्रातिपदिक)
bhadrāyato the auspicious one
bhadrāya
TypeNoun
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Singular (एकवचन)
RoleSampradāna (सम्प्रदान/recipient)
Rootbhadra (प्रातिपदिक)
itithus (saying)
iti
TypeIndeclinable
FormQuotative particle (इति-प्रयोगः)
RoleSambandha (सम्बन्ध/quotative marker)
Rootiti (अव्यय)
śikhāmthe topknot/crest-lock
śikhām
TypeNoun
FormFeminine (स्त्रीलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
RoleKarma (कर्म/object)
Rootśikhā (प्रातिपदिक)
tathālikewise
tathā
TypeIndeclinable
FormAdverb (क्रियाविशेषण अव्यय)
RoleSambandha (सम्बन्ध/adverbial)
Roottathā (अव्यय)
  • cakrapāṇayeti = cakrapāṇaye + iti
  • bhadrāyeti = bhadrāya + iti

Bhakti and Shanta rasaSetting: Ritual-body (adhyātma-kṣetra)
Speaker

Varāha

Kind of teaching
Self-offering (īśvara-arpana)
Subjects
Ritual PracticeMantra-nyāsaVaishnava Iconography
Core idea

Consecrate action, speech, and intention by ‘placing’ the Lord’s names upon the limbs that enact them.

In practice

During worship, touch the specified limbs while reciting each name distinctly; maintain śaucā and mental visualization of the Lord’s attributes (cakra, hari-bhāva).

P
Purāṇic Literature
V
Vaiṣṇavism
R
Ritual Studies
S
Sanskrit Philology

FAQs

It preserves a ritual-technical register within Purāṇic literature, reflecting how devotional and liturgical practices (such as aṅga-nyāsa/body-assignment of divine names) circulated in Sanskrit textual traditions alongside narrative material.

No geographic location is named in this verse; the content is primarily ritual and iconographic (assigning divine epithets to body parts).

Rather than an explicit ethical injunction, the verse conveys a disciplined contemplative practice: aligning bodily awareness with named divine attributes, emphasizing attentiveness, order, and intentionality in ritual performance.

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