The Rite of Śrāvaṇa Bright-Fortnight Dvādaśī (Dāmodara Worship) and the Exemplum of King Nṛga
Pūrva Bhāga · Vaiṣṇava Stotra / Aṅga-nyāsa (iconographic praise)
दामोदराय पादौ तु हृषीकेशाय वै कटिम् । सनातनेति जठरमुरः श्रीवत्सधारिणे ॥ ४७.२ ॥
dāmodarāya pādau tu hṛṣīkeśāya vai kaṭim | sanātaneti jaṭharam uraḥ śrīvatsadhāriṇe || 47.2 ||
dAmodarAya pAdau tu hRRiShIkeshAya vai kaTim | sanAtaneti jaTharamuraH shrIvatsadhAriNe || 47.2 ||
दामोदर के चरणों को पूजा में समर्पित करना है। हृषिकेश को कमर का हिस्सा देना है। पेट को सनातन बोल के समर्पित करना है। और छाती को श्रीवत्स धारण करने वाले भगवान के लिए देनी है।
Varāha
Devotion is stabilized by mapping divine attributes onto one’s own limbs, transforming self-awareness into God-remembrance.
During pūjā, perform aṅga-nyāsa slowly with each name, visualizing the Lord’s presence in that limb and maintaining purity and attention.
Nyāsa internalizes the deity as the cosmic person; the devotee’s body becomes a microcosmic altar where Viṣṇu’s names ‘install’ sacred order.
Body-as-yajña-field: feet/waist/belly/chest correspond to ritual loci; Śrīvatsa on the chest evokes Lakṣmī-abode and cosmic auspiciousness rather than explicit Varāha anatomy.
Supports upāsanā: nāma-rūpa contemplation leading to ekāgratā; hints at antaryāmin-bhāva (Lord indwelling the body) without explicit doctrinal exposition.
Perform aṅga-nyāsa/saṅkalpita-aṅga-samarpaṇa by assigning divine names to body parts: feet to Dāmodara, waist to Hṛṣīkeśa, belly to Sanātana, chest to Śrīvatsa-bearer.
Following: ritual purity, focused devotion, and efficacy of worship (implied); improper/omitted nyāsa: diminished concentration and ritual fruit.
Supports successful worship and merit through embodied remembrance of Viṣṇu.
Names like Dāmodara and Hṛṣīkeśa are strongly Kṛṣṇa/Vaiṣṇava epithets; iconographic devotion anticipates Kṛṣṇa-bhakti but without explicit Mathurā geography.
Varāha Purāṇa 47.47.3 continues the aṅga-nyāsa mapping to arms/throat/head/śikhā
It preserves a Purāṇic-layer witness to Vaiṣṇava ritual vocabulary—especially nyāsa-like assignment of divine epithets to body regions—useful for tracing intersections of Purāṇa, mantra practice, and iconographic theology.
No geographic location is named in this verse; the content is primarily ritual-iconographic rather than topographic.
The verse conveys a disciplined contemplative practice: structuring attention and reverence through ordered bodily and verbal acts, emphasizing mindful embodiment rather than a social-legal injunction.
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