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Varaha Purana 113.44: Adhyaya 113, Shloka 44

Hymn to Varāha and Pṛthivī’s Inquiry

Prelude to the Sanatkumāra Dialogue

Pūrva Bhāga · Sacred Geography and Natural Features (Rivers, Oceans, Mountains, Nāgas)

कला काष्ठापि षण्मासाः षड्रसाश्चापि संयमः॥ सरितः सागराश्च त्वं पर्वताश्च महोरगाः

Recitation with translationVaraha Purana 113.44

kalā kāṣṭhāpi ṣaṇmāsāḥ ṣaḍ-rasāś cāpi saṃyamaḥ || saritaḥ sāgarāś ca tvaṃ parvatāś ca mahoragāḥ

तुम कला हो, तुम काष्ठ हो। तुम छह महीने हो, तुम छह स्वाद हो। तुम ही कंट्रोल हो। तुम नदिया हो, तुम समुंदर हो। तुम पहाड़ हो, तुम बड़े नाग हो।

कलाkalā (time unit)
कला
TypeNoun
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
RoleKarta (कर्ता/Subject)
Rootकला (प्रातिपदिक)
काष्ठाkāṣṭhā (time unit)
काष्ठा
TypeNoun
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
RoleKarta (कर्ता/Subject)
Rootकाष्ठा (प्रातिपदिक)
अपिalso
अपि
TypeIndeclinable
Formसमुच्चय/अप्यर्थक-अव्यय (particle: also)
RoleSambandha (सम्बन्ध/Particle)
Rootअपि (अव्यय)
षण्मासाःsix-month periods
षण्मासाः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; द्विगु-समासः: ‘षण्णां मासानां समाहारः/समूहः’ (six-month periods)
RoleKarta (कर्ता/Subject)
Rootषण् (संख्या-प्रातिपदिक) + मास (प्रातिपदिक)
षड्-रसाःthe six tastes
षड्-रसाः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; द्विगु-समासः: ‘षट् रसाः’ (six tastes)
RoleKarta (कर्ता/Subject)
Rootषड् (संख्या-प्रातिपदिक) + रस (प्रातिपदिक)
चand
च
TypeIndeclinable
Formसमुच्चयबोधक-अव्यय (conjunction)
RoleSambandha (सम्बन्ध/Connector)
Rootच (अव्यय)
अपिalso
अपि
TypeIndeclinable
Formसमुच्चय/अप्यर्थक-अव्यय (particle: also)
RoleSambandha (सम्बन्ध/Particle)
Rootअपि (अव्यय)
संयमःrestraint/control
संयमः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
RoleKarta (कर्ता/Subject)
Rootसंयम (प्रातिपदिक)
सरितःrivers
सरितः
TypeNoun
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
RoleKarta (कर्ता/Subject)
Rootसरित् (प्रातिपदिक)
सागराःoceans
सागराः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
RoleKarta (कर्ता/Subject)
Rootसागर (प्रातिपदिक)
चand
च
TypeIndeclinable
Formसमुच्चयबोधक-अव्यय (conjunction)
RoleSambandha (सम्बन्ध/Connector)
Rootच (अव्यय)
त्वम्you
त्वम्
TypeNoun
Formप्रथमा (1st/Nominative), एकवचन; सर्वनाम (2nd person pronoun)
RoleKarta (कर्ता/Subject)
Rootयुष्मद् (प्रातिपदिक)
पर्वताःmountains
पर्वताः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
RoleKarta (कर्ता/Subject)
Rootपर्वत (प्रातिपदिक)
चand
च
TypeIndeclinable
Formसमुच्चयबोधक-अव्यय (conjunction)
RoleSambandha (सम्बन्ध/Connector)
Rootच (अव्यय)
महोरगाःgreat serpents
महोरगाः
TypeNoun
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; कर्मधारयः: ‘महान्तः उरगाः’ (great serpents)
RoleKarta (कर्ता/Subject)
Rootमहा (प्रातिपदिक) + उरग (प्रातिपदिक)
  • काष्ठापि = काष्ठा + अपि
  • षड्रसाश्चापि = षड्रसाः + च + अपि
  • सागराश्च = सागराः + च
  • पर्वताश्च = पर्वताः + च

Adbhuta and Shanta rasaSetting: Terrestrial-cosmological landscape
Speaker

Pṛthivī

In this verse
She worships
Her state of mind

Reverent, integrative—linking nature and conduct

What she asks

‘How are both the outer world (waters, mountains, serpents) and inner discipline (saṃyama) grounded in you?’

Kind of teaching
Ethics within cosmology
Subjects
GeographyEcology (rivers and oceans)Ethics (saṃyama)Cosmology
Core idea

Saṃyama (restraint) is as ‘cosmic’ as rivers and mountains—an expression of divine order.

In practice

Practice restraint in speech, diet, and conduct (noting ‘six tastes’ as a cue for moderation); cultivate ecological reverence—protect waters and mountains as sacred.

With the Earth

Pṛthivī expands the immanence-list to ethics (saṃyama), sensory taxonomy (six tastes), and terrestrial features (rivers, oceans, mountains, nāgas), attributing all to the addressed Lord.

C
Classical Literature
A
Ancient Geography
E
Ecological Narratives
S
Sanskrit Philology

FAQs

The verse combines natural geography (rivers, oceans, mountains) with cultural-ethical vocabulary (saṃyama), illustrating how Purāṇic texts integrate environmental features into a broader cosmological and normative worldview.

No single named site is specified here; instead, broad categories (rivers, oceans, mountains) are invoked as part of a universalized sacred geography.

The explicit ethical term is saṃyama (restraint/self-regulation), presented as part of the ordered cosmos and thus culturally valorized.

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