Sukta 9.97
प्र गायताभ्यर्चाम देवान्त्सोमं हिनोत महते धनाय । स्वादुः पवाते अति वारमव्यमा सीदाति कलशं देवयुर्नः ॥
prá gāyatā́bhy àrcāma devā́nt sómaṃ hinota mahaté dhánāya | svādúḥ pavāte áti vā́ram ávyam ā́ sīdāti kalaśáṃ deva-yúr naḥ ||
गाओ और भगवानों की स्तुति करो। सोम को आगे बढ़ाओ ताकि बड़ा फल मिले। यह मीठा है और कपड़े से फ़िल्टर होके पानी में मिलता है। वो एक बर्तन में आके बैठता है, भगवान का प्यारा बन के।
The singers are urged to sing and chant to the Gods, driving Soma onward for great wealth. Sweet Soma streams beyond the woolen strainer and settles in the jar; he is ‘devayū’—one who seeks/loves the Gods—for us.
The mantra calls the aspirant-faculties to intensify mantra (song) and aspiration (hymn) so that Soma—inner delight—may be urged into a greater plenitude (mahān dhana). Passing beyond the ‘wool’ signifies delight refined beyond mixed vital desire, arriving in the ‘kalaśa’—the steady vessel of the heart/mind prepared to hold Ananda. Soma is devayū: the delight that naturally turns toward the Divine, not toward egoic enjoyment.
What we repeatedly celebrate and invoke grows stronger within us; when joy is directed Godward and purified of craving, it becomes sweet, steady, and abundant.
Soma-ritual, chant and aspiration, collection in vessel
This verse embodies the Vedic psychology of ‘mantra as propulsion’: song is not ornament but a force that moves consciousness (Soma) into plenitude.
He is the stream of immortal essence that nourishes the gods and establishes abundance in the sacrifice.
Sweet Ananda that, once filtered, becomes stable contentment and spiritual richness.
Soma filtration chant (Pavamāna) accompanying the straining into the kalaśa
प्र गा॑यता॒भ्य॑र्चाम दे॒वान्त्सोमं॑ हिनोत मह॒ते धना॑य । स्वा॒दुः प॑वाते॒ अति॒ वार॒मव्य॒मा सी॑दाति क॒लशं॑ देव॒युर्न॑: ॥
प्र । गा॒य॒त॒ । अ॒भि । अ॒र्चा॒म॒ । दे॒वान् । सोम॑म् । हि॒नो॒त॒ । म॒ह॒ते । धना॑य । स्वा॒दुः । प॒वा॒ते॒ । अति॑ । वार॑म् । अव्य॑म् । आ । सी॒दा॒ति॒ । क॒लश॑म् । दे॒व॒ऽयुः । नः॒ ॥
pra | gāyata | abhi | arcāma | devān | somam | hinota | mahate | dhanāya | svāduḥ | pavāte | ati | vāram | avyam | ā | sīdāti | kalaśam | deva-yuḥ | naḥ
48
4 x 12 (approx.)
Directive and processional—fits imperatives (‘sing’, ‘chant’, ‘drive’).
Energizes aspiration; then resolves into sweetness and settling as Soma ‘comes to rest’ in the vessel.
Processional/collecting phase: Soma is urged through the strainer into the kalaśa; accompanying chants (sāman/ṛc) to energize the flow for ‘mahate dhana’.
During pressing/straining; communal chanting to ‘impel’ Soma
Singing (gāyati) and recitation (arc) while Soma passes the filter and is collected
Use before japa/meditation: 1–3 recitations to ‘set the tone’ and place attention into the heart as a vessel for sweetness.
gāyata from √gai ‘sing’; arcāma from √arc ‘shine, praise’ (praise as a shining forth). hinota from √hi ‘to impel’ (causative/imperative nuance). dhana from √dhan ‘to bestow/possess’; interpreted as plenitude of being, not material. svādu from √svād ‘to be sweet/tasty’. kalaśa is a vessel term; symbolically the stabilized container of the refined essence.
plenitude (dhana) as fullness of being, aspiration through song (gāyatra principle broadly), discernment (vāra) as selection of truth
The ‘right passage’ beyond the strainer symbolizes energies moving according to ṛta rather than desire.
Sweetness after filtering implies truth-clarity without distortion.
Descent of refined essence into a stable container—forming a luminous center in the being.
Integral-psychological Vedism (Aurobindo): mantra as force; Ananda as a plane that can descend into mind/heart.
Voice = mantra-shakti; stream = delight-current; strainer = discrimination; jar = heart-mind stability.
Let mantra-song ‘impel’ a sweet current; feel it pass through discernment and settle in the heart-vessel.
Anahata (kalaśa as heart-vessel)
Inhale on ‘pra gāyatā’, long exhale on ‘svāduḥ pavāte… ā sīdāti’ to embody streaming and settling.
Sweet, collected devotion; centered abundance.
Chant 3x, then sit silently: imagine a white filter at the brow/upper chest; allow only the sweet, clear joy to descend and pool in the heart as a steady glow.
Follow Saṃhitā accent marks (e.g., गा॑यत, सो॑मं, धना॑य, प॒वा॒ते॒, अव्य॑म्).
Keep imperatives crisp; slight lift on udātta to convey ‘impulsion’; soften into a smoother line on ‘svāduḥ pavāte… ā sīdāti’.
hinota: clear hi-no-ta (no nasalization), svāduḥ: long ā; visarga as light breath, vāram avyam: distinct v-ā-raṃ; avyam with clear ‘vy’, kalaśam: retroflex ḷ not present—use dental ‘la’, and ‘ś’ as palatal
Bright and inviting at start; then warm and sweet as it ‘settles’.
3
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