Sukta 8.77
शतब्रध्न इषुस्तव सहस्रपर्ण एक इत् । यमिन्द्र चकृषे युजम् ॥
śatá-bradhna íṣuḥ táva sahásra-parṇa éka íd | yám índra cakṛṣé yújam ||
इंद्र, तुम्हारा एक तीर है जो सौ गाँठों से बना है। उसके हज़ार पंख हैं और वो एक ही काफी है। उस तीर से तुमने अपना काम जीत लिया है।
Yours is the hundred-knotted arrow, thousand-feathered, one and sufficient—by which, O Indra, you have made your yoked instrument.
Indra’s weapon is not mere violence but a concentrated, perfectly engineered force of illumination. ‘Hundred-knotted’ suggests many joints of power—multiple capacities bound into one decisive aim; ‘thousand-feathered’ suggests vast swiftness and far-reaching rays. Though one (ekaḥ), it suffices: a single pointed will of truth can accomplish what scattered efforts cannot. With it Indra fashions the yujam—the yoked instrument: the disciplined harnessing of energies (mind, life, senses) into a victorious movement.
One clear, integrated intention—supported by many capacities—can transform the whole system. Victory comes from yoked energies directed by illumined intelligence.
directed will, weapon symbolism, harnessing energies
Kāṇva hymns frequently celebrate Indra’s ‘weapon’ as a symbol of concentrated power; here it becomes an image of yogic one-pointedness and harnessing.
The seer teaches the secret of effective sādhanā: unify many powers into one arrow of aspiration and make the whole being ‘yoked’ to the aim.
Giver of victorious instrumentality; directs forces toward the goal and strikes the obstruction.
One-pointed illumined will that harnesses and directs the life-force.
Indra invocation for victory and effective instrumentality in the sacrifice; suitable in martial/protective sequences within Soma rites.
श॒तब्र॑ध्न॒ इषु॒स्तव॑ स॒हस्र॑पर्ण॒ एक॒ इत् । यमि॑न्द्र चकृ॒षे युज॑म् ॥
श॒तऽब्र॑ध्नः । इषुः॑ । तव॑ । स॒हस्र॑ऽपर्णः । एकः॑ । इत् । यम् । इ॒न्द्र॒ । च॒कृ॒षे । युज॑म् ॥
śata-bradhnaḥ | iṣuḥ | tava | sahasra-parṇaḥ | ekaḥ | it | yam | indra | cakṛṣe | yujam
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4 pādas × ~11 syllables (approximate)
Crisp, enumerative (hundred/thousand/one) creating a sense of precision and sufficiency.
Builds confidence in one-pointed practice; sharpens attention and energizes disciplined action.
Martial praise within Indra hymns; supports invocation for focused, well-yoked force in the sacrificer.
When calling for Indra’s decisive strike and the proper ‘yoking’ of powers for success of the rite.
Praise describing Indra’s weapon to invoke its corresponding power in the sacrificer.
A mantra for focus and discipline: before work, study, or meditation, to harness scattered energies into one directed effort.
: ‘arrow’ (directed intention). √yuj ‘yoke’ (PIE *yeug-; cf. Latin iugum, English yoke) encodes the idea of disciplined harnessing of force. -/- are Vedic hyperbolic numerals indicating plenitude, not arithmetic; they signify total capacity and manifold energies coordinated into one weapon.
unity harnessing multiplicity (eka with sahasra), disciplined instrumentality (yuj)
Yoking (yuj) is the inner form of ṛta: energies aligned to a true aim rather than dispersed.
The ‘one sufficient’ arrow is satya’s efficacy—truth-force acts decisively.
From multiplicity (hundred/thousand) to unity (one) to ordered action (yoked instrument).
Integral/psychological: transformation by one-pointed aspiration integrating many parts of nature.
weapon/arrow imagery (storm-god’s force as lightning-like directed power)
Arrow = directed will; feathers = radiating supports/energies; yoke = disciplined prāṇic-mental integration; chariot = embodied life-journey.
Form a single arrow of aspiration: one clear intention (truth, purity, courage) and let all energies support it.
ājñā (focus) and maṇipūra (directed will)
Bhrāmarī or steady nāḍī-śodhana to unify currents; then a brief held pause after inhale to ‘aim’ the arrow (without strain).
One-pointed, luminous readiness
Before chanting, choose one sankalpa. Chant 21 times, visualizing a single radiant arrow formed from many rays. After chanting, sit 3 minutes and feel the whole system ‘yoked’ to that aim.
Not fully derivable from provided text; chant with crisp articulations and a slight upward lift on enumerations (śata-, sahasra-, eka-) to mark increasing-to-unity emphasis.
Stress śatabradhnaḥ, iṣuḥ, sahasraparṇaḥ, ekaḥ, indra, yujam.
śata: palatal ś, bradhnaḥ: cluster bradh—keep voiced dh; final ḥ audible but light, iṣuḥ: retroflex ṣ; short uḥ, sahasra: clear h, parṇaḥ: retroflex ṇ; final ḥ, yujam: soft j; short a
Bright, precise, forward resonance; finish with a firm closure on yujam.
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