Valmiki Ramayana 1.77.32: Bala Kanda, Sarga 77, Shloka 32
सप्तसप्ततितमः सर्गः · Ayodhya Return, Bridal Reception, and Bharata’s Departure
तया स राजर्षिसुतोऽभिरामया समेयिवानुत्तमराजकन्यया ।
अतीव राम श्शुशुभेऽभिरामया ।
विभु श्श्रिया विष्णुरिवामरेश्वरः ॥३२॥
tayā sa rājarṣisuto'bhirāmayā sameyivānuttamarājakanyayā |
atīva rāma śśuśubhe'bhirāmayā |
vibhu śśriyā viṣṇurivāmareśvaraḥ ||32||
राम उस सुंदर राजकुमारी के साथ मिल के चमकने लगे। जैसे विष्णु लक्ष्मी के साथ खड़े हो तो कितने अच्छे लगते हैं, वैसे ही राम सीता के साथ खड़े थे।
Rama, son of Rajarshi Dasaratha, united with the most charming princess, shone like Visnu, Lord of the gods in the company of Lakshmi.इत्यार्षे श्रीमद्रामायणे वाल्मीकीय आदिकाव्ये चतुर्विंशत्सहस्रिकायां संहितायां बालकाण्डे सप्तसप्ततितमस्सर्ग:।।Thus ends the seventyseventh sarga of Balakanda of the holy Ramayana the first epic composed by sage Valmiki.
FAQs
The dharmic household is portrayed as auspicious and world-supporting: the union of ideal spouses is symbolized as Viṣṇu with Śrī—power guided by prosperity and grace.
This is a concluding praise describing Rama’s splendour after his marriage with Sita, serving as a sarga-ending benediction-like summation.
Radiant excellence through harmony: Rama’s greatness is shown as enhanced—not diminished—by a dharmic partnership.
Ask anything about this verse
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.
Read Valmiki Ramayana in the Vedapath app
Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.