रामदर्शनार्थं दारानयनम् · The Queens Summoned; Rama’s Leave
Taking and Dasaratha’s Collapse
Setting: Ayodhya royal palace chamberPlaces named: Ayodhya
तं परिष्वज्य बाहुभ्यां तावुभौ रामलक्ष्मणौ ।
पर्यंङ्के सीतया सार्धं रुदन्तः समवेशयन् ॥२०॥
taṃ pariṣvajya bāhubhyāṃ tāv ubhau rāmalakṣmaṇau |
paryaṅke sītayā sārdhaṃ rudantaḥ samaveśayan ||20||
राम और लक्ष्मण दोनों ने राजा को अपनी बाहों में जकड़ लिया। सीता भी पास थी, और वो तीनों रो रहे थे। उन्होंने राजा को बिस्तर पर लेटा दिया।
Thereafter Rama and Lakshmana assisted by Sita, lifted him wailing in their arms and laid him on a couch.
Dharma includes timely compassion; steadfastness is not hardness but disciplined tenderness.
Models bhakti as service: supporting the suffering with humility and presence; useful for contemplation on karuṇā in family life.
The act of placing the king on a couch while weeping shows compassion operating within prakṛti; yet the righteous maintain inner orientation toward dharma beyond emotion.
The household scene echoes gārhasthya ideals: care for elders as a lived yajña (service as offering), resonant with Upaniṣadic interiorization of ritual.
Vālmīki Rāmāyaṇa 2.34.21 (Rama addresses the revived king with añjali)
Mahābhārata: sons supporting elders in grief (e.g., Pāṇḍavas with Kuntī/Dhṛtarāṣṭra motifs)
Ayodhyākāṇḍa: Daśaratha’s physical decline under śoka (2.20 onward)
Anuṣṭup (śloka)
Grieving
Slow vilambita pace; gentle descent on ‘rudantaḥ’ and repose on ‘samaveśayan’
Dharma as seva (caregiving): even while facing exile, Rama’s household prioritizes the immediate welfare of the elder king, demonstrating righteous conduct through compassionate action.
After Daśaratha faints, Rama and Lakshmana (with Sita) lift and settle him onto a couch.
Tenderness and filial devotion—care for a parent in physical and emotional collapse.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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