Sukta 8.85
शृणुतं जरितुर्हवं कृष्णस्य स्तुवतो नरा । मध्वः सोमस्य पीतये ॥
śṛṇutáṃ jaritúr hávaṃ kṛ́ṣṇasya stuvató narā | mádhvaḥ sómasya pītáye ||
Ashvin bhai, suno Krishna kya gaata hai. Woh tumhari tarif kar raha hai. Aao aur meetha Soma piyo, yeh tumhe khush rakhega.
The Aśvins are asked to hear the call of the singer Kṛṣṇa who praises them, addressed as heroic men (narā), for drinking the honeyed Soma.
The inspired voice (jaritṛ) calls the divine twins to respond to praise; their ‘heroism’ is the courageous, effective intervention in the mixed nature—cutting through inertia, restoring harmony—so Soma-delight can be received.
True ‘heroism’ is inner: the power that answers aspiration, heals fragmentation, and makes delight a stable part of consciousness.
call-and-response, praise (stuti) as ascent, Soma-delight assimilation
Poetic-invocation tradition of Maṇḍala 8; emphasis on refrain and personal call.
The rishi-function is highlighted as jaritṛ—one who ‘sings into being’ a connection; the mantra models how praise becomes a force that summons help.
They intervene at the critical moment, restoring wholeness and enabling the journey toward dawn-consciousness.
Heroic harmonization: they reconcile opposites in the being (mind/vital/body), enabling stable reception of Soma.
Invocation to Aśvins in Soma sequence (general)
शृ॒णु॒तं ज॑रि॒तुर्हवं॒ कृष्ण॑स्य स्तुव॒तो न॑रा । मध्व॒: सोम॑स्य पी॒तये॑ ॥
शृ॒णु॒तम् । ज॒रि॒तुः । हव॑म् । कृष्ण॑स्य । स्तु॒व॒तः । न॒रा॒ । मध्वः॑ । सोम॑स्य । पी॒तये॑ ॥
śṛṇutam | jarituḥ | havam | kṛṣṇasya | stuvataḥ | narā | madhvaḥ | somasya | pītaye
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4×8; closing refrain pāda
Call-and-response feel; direct imperative opening
Creates immediacy (‘hear!’), then settles into sweetness; supports a devotional yet strong inward posture.
Soma offering invitation; imperative ‘hear’ aligns with the moment of calling the deity to the oblation in Soma-yajña.
At dawn Soma pressing/offerings; invitatory recitations
Calling and welcoming; offering Soma portion
Use when seeking inner help for integration/healing; chant as a ‘hearing prayer’—to be heard by the higher forces within.
śṛṇutám: √śru ‘to hear’ (< PIE *ḱleu̯- ‘hear, be famed’; cf. Greek klúō, English ‘listen’ via different lineage) — hearing here implies divine attention and descent. jaritúḥ: from jaritṛ, related to √gṛ/√jar (praise/chant in Vedic usage); functionally ‘the articulating mind/voice’. nárā: nṛ́ ‘man, hero’ (< PIE *h₂nḗr ‘man’; cf. Greek anḗr), marking the Ashvins as vigorous agents. stuvatáḥ: √stu ‘praise’—praise as steady uplifting of consciousness toward the devatā.
śravaṇa as receptivity (divine hearing as opening of higher mind), Rita as right response: gods ‘hear’ when the call is aligned, mantra as formative power
Hearing the call implies alignment: when the being praises in truth, r̥ta allows response and restoration.
Praise (stuti) becomes satya when it expresses lived aspiration, not mere words.
From divided human instruments to a more whole, joy-bearing formation.
Vedic psychological symbolism (Aurobindo): gods as inner powers responding to aspiration.
dawn threshold
Dawn = awakening of perception; hearing = receptivity of higher mind; Soma = delight stabilizing the awakened state.
Practice ‘being heard’: align speech, heart, and will; invite the inner helpers to act.
Viśuddha (mantric speech) and Anāhata (devotional openness)
Soft ujjāyī-like whisper (very mild) to deepen ‘hearing’ quality; exhale longer on the refrain
Attentive receptivity with steady courage
Chant 8 times, then sit 2 minutes in silence as if listening for the Aśvins’ response—subtle adjustments in breath, posture, and mental clarity.
Not provided; chant with clear imperatives on ‘śṛṇutam’; exact svara requires annotated text.
Slightly stress the opening ‘śṛṇutam’; keep ‘narā’ crisp; let the refrain be smooth and continuous.
śṛṇutam: vocalic ṛ; avoid ‘ri’—keep syllabic r, jaritur: soft j; dental t; short u, stuvataḥ: clear v; final ḥ light visarga, narā: long ā
Firm at start, then mellifluous on the refrain
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