
Sukta 5.48
Unclear in isolation; verse imagery suggests a cosmic formative power spreading waters in the cloud (often linked in RV diction to Parjanya/Indra’s rain-action or to a goddess-like māyā-power).
Is mantra mein ek aisi shakti ke baare mein socha gaya hai jo badalon mein paani ikhatta karti hai aur dharti ko failati hai. Yehi taakat din aur raat ko sambhalti hai aur bijli jaisi taaqat rakhti hai. Aage Varuna ka naam aata hai jo chaaron taraf se dekhne wala aur sundar vastra pehenne wala hai. Inki visheshta ko koi nap nahi sakta. Bhaga aur Savitri jaise devta iske dwara aapko dhan dete hain. Yeh mantra un shaktiyon ko bulata hai jo aapke liye accha laaye.
Mantra 1
कदु प्रियाय धाम्ने मनामहे स्वक्षत्राय स्वयशसे महे वयम् । आमेन्यस्य रजसो यदभ्र आँ अपो वृणाना वितनोति मायिनी ॥
Kab hum bade bhagwan ke paas soch lekar jayenge? Unki apni taqat hai, apni chamak hai. Woh bada bunne wala hai. Baadal mein paani lekar woh poora area faila deta hai apni shakti se.
Mantra 2
ता अत्नत वयुनं वीरवक्षणं समान्या वृतया विश्वमा रजः । अपो अपाचीरपरा अपेजते प्र पूर्वाभिस्तिरते देवयुर्जनः ॥
Woh log woh gyaan faila rahe hain jo himmat wala hai. Ek hi niyam se woh poori duniya ko faila dete hain. Paani aage bhi jaata hai, peeche bhi, dono taraf hilta hai. Bhagwan ko dhundne wale log purani had se aage badh jaate hain.
Mantra 3
आ ग्रावभिरहन्येभिरक्तुभिर्वरिष्ठं वज्रमा जिघर्ति मायिनि । शतं वा यस्य प्रचरन्त्स्वे दमे संवर्तयन्तो वि च वर्तयन्नहा ॥
Din aur raat, patharon se woh vajra utha rahe hain, bahut taakat wala. Jiske ghar mein shaktiyaan chalti hain, woh din ko milaate hain aur phir alag karte hain.
Mantra 4
तामस्य रीतिं परशोरिव प्रत्यनीकमख्यं भुजे अस्य वर्पसः । सचा यदि पितुमन्तमिव क्षयं रत्नं दधाति भरहूतये विशे ॥
Main uska kaam dekh raha hoon, jaise koi kulhaadi maarta hai. Uska roshni jaisa chehra hai. Jab woh kisi ghar mein khazana rakhta hai jahan khana hai, tab woh us khaandan ko madad deta hai jo usko pukarta hai.
Mantra 5
स जिह्वया चतुरनीक ऋञ्जते चारु वसानो वरुणो यतन्नरिम् । न तस्य विद्म पुरुषत्वता वयं यतो भगः सविता दाति वार्यम् ॥
Woh apni jeeb se chaaron taraf kaam karta hai. Yeh Varuna hai, ache kapde pehne hue, dushman se lad raha hai. Hum uski poori taakat nahi jaante. Bhagwan Savita usse dhan deta hai jo sab ko chahiye.
A questioning wonder: when will the mind turn fully toward the dear seat of the Great, endowed with innate sovereignty and glory?
The hymn unfolds the image of a formative power gathering waters in the cloud and spreading the realm, then intensifies with vajra and pressing-stones imagery and the regulation of day/night cycles.
Recognition of the supreme, beautifully robed Varuṇa—four-faced and active in speech—striving against the hostile divider, whose magnitude cannot be measured.
A concluding theological linkage: from that source, Bhaga and Savitṛ distribute and impel desirable riches, reaffirming order and beneficence.
कदु प्रियाय धाम्ने मनामहे स्वक्षत्राय स्वयशसे महे वयम् । आमेन्यस्य रजसो यदभ्र आँ अपो वृणाना वितनोति मायिनी ॥आ ग्रावभिरहन्येभिरक्तुभिर्वरिष्ठं वज्रमा जिघर्ति मायिनि । शतं वा यस्य प्रचरन्त्स्वे दमे संवर्तयन्तो वि च वर्तयन्नहा ॥स जिह्वया चतुरनीक ऋञ्जते चारु वसानो वरुणो यतन्नरिम् । न तस्य विद्म पुरुषत्वता वयं यतो भगः सविता दाति वार्यम् ॥The hymn’s final verse explicitly names Varuṇa, so Varuṇa is the clearest devatā. Earlier verses use ‘māyinī/māyin’ and rain-thunder imagery that can overlap with Indra/Parjanya language, but the culmination points to Varuṇa’s sovereignty and order.
In this context māyinī is a ‘shaper’ or ‘formative power’—the capacity that skillfully arranges and manifests, pictured as gathering the waters in the cloud and spreading out the wide realm.
Bhaga represents the apportioning of shares and good fortune, and Savitṛ represents the impelling power that sets things in motion. The verse presents their gift-giving as operating from, or grounded in, Varuṇa’s larger sovereignty and order.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.