पञ्चमं प्रहरो यत्र षष्ठमारण्यकं तथा । निधनं सप्तमं साम्नां सप्तसिद्धिमिति स्मृतम्
pañcamaṃ praharo yatra ṣaṣṭhamāraṇyakaṃ tathā | nidhanaṃ saptamaṃ sāmnāṃ saptasiddhimiti smṛtam
Dans cette suite, le cinquième est nommé « Prahara », le sixième « Āraṇyaka », et le septième, parmi les chants Sāman, « Nidhana » ; cela est mémorisé comme la « saptasiddhi », l’accomplissement septuple.
Skanda (deduced from Prabhāsakṣetramāhātmya dialogue style)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: Devī
Scene: A schematic-like sacred diagram of seven stages of sāman accomplishment, with the teacher pointing to each named segment; forest (āraṇyaka) imagery blending into a ritual hall, ending in a quiet ‘nidhana’ closure.
Vedic sound (Sāman) is presented as a structured, sanctifying practice whose perfected form leads to ‘siddhi’ (spiritual accomplishment).
Prabhāsa-kṣetra, praised in the Prabhāsakṣetramāhātmya section of the Skanda Purāṇa.
A classification of Sāman portions (including prahara, āraṇyaka, nidhana) as part of a sevenfold sacred scheme used for disciplined japa/recitation.