शिवलिंगे सामवेदो मर्कटे च मधुप्रियः । नारायणश्च गोमन्ते विदर्भायां द्विज प्रियः
śivaliṃge sāmavedo markaṭe ca madhupriyaḥ | nārāyaṇaśca gomante vidarbhāyāṃ dvija priyaḥ
À Śivaliṅga, Il est loué comme le Sāmaveda; à Markaṭa, Il est connu comme Madhupriya, l’Aimé de la douceur. À Gomanta, Il est Nārāyaṇa; et en Vidarbhā, Il est renommé comme Dvijapriya, l’Aimé des deux-fois-nés. Ainsi l’Unique Seigneur est célébré en de nombreux lieux saints.
Sūta (Lomaharṣaṇa) to the sages (deduced from Prabhāsa Māhātmya narrative style)
Tirtha: Śivaliṅga / Markaṭa / Gomanta / Vidarbhā
Type: kshetra
Scene: A procession of four shrines: a radiant liṅga with musical Sāma notes emanating; a playful ‘Markaṭa’ grove-temple where devotees offer honey/sweets to ‘Madhupriya’; a coastal hill/forest of Gomanta with Nārāyaṇa iconography; and a Vidarbha court/agrahāra scene where brāhmaṇas are honored as the Lord’s प्रिय (beloved).
The One Divine is approached through many names and forms; tīrthas reveal distinct epithets while affirming a single supreme reality.
Śivaliṅga, Markaṭa, Gomanta, and the region of Vidarbhā are cited as abodes where the Lord is praised by specific names.
No explicit rite is stated; the verse functions as tīrtha-saṅkīrtana—devotional remembrance of sacred places and divine names.