गीतवाद्यपताकैश्च दिव्योपायनपाणिभिः । प्राप्योवाच ततो देवान्द्वारका हर्षविह्वला
gītavādyapatākaiśca divyopāyanapāṇibhiḥ | prāpyovāca tato devāndvārakā harṣavihvalā
Avec des chants, des instruments et des étendards, les mains portant des offrandes divines, Dvārakā—submergée de joie—s’approcha puis s’adressa aux dieux.
Prahlāda (narrating); Dvārakā (personified) addresses the Devas
Tirtha: Dvārakā
Type: kshetra
Scene: Dvārakā personified—radiant and overwhelmed with joy—approaches the assembled gods amid singing, instruments, fluttering banners, and devotees bearing divine gifts in their hands, then begins to address them.
Devotion expresses itself through celebratory service—music, banners, and offerings—sanctifying the approach to the divine.
Dvārakā, depicted as a conscious sacred city participating in worship and welcome.
Offering gifts (upāyana) and devotional celebration (gīta-vādya) are implied as acts of reverence, though no formal vrata is specified.