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Skanda Purana — Nagara Khanda, Shloka 24

ततस्ते पार्श्वगाः प्रेता एके नृत्यं प्रचक्रिरे । तत्पुरो गीतमन्ये तु स्तुतिं चैव तथा परे

tataste pārśvagāḥ pretā eke nṛtyaṃ pracakrire | tatpuro gītamanye tu stutiṃ caiva tathā pare

Alors, les Prêta qui l’assistaient, à ses côtés, les uns se mirent à danser; d’autres chantèrent devant lui; et d’autres encore offrirent des louanges.

ततःthereupon
ततः:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अपादानार्थ/अनन्तरार्थ (thereupon/then)
तेthey
ते:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/कर्ता), बहुवचन (nominative plural)
पार्श्वगाःstanding at the side
पार्श्वगाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootपार्श्व + ग (कृदन्त-प्रातिपदिक; √गम्)
Formपुंलिङ्ग; प्रथमा (1st), बहुवचन; विशेषण — ‘पार्श्वं गच्छन्ति’/‘पार्श्वे गताः’ (those at the side)
प्रेताःghosts
प्रेताः:
Karta (Subject/कर्ता)
TypeNoun
Rootप्रेत (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/कर्ता), बहुवचन
एकेsome (of them)
एके:
Karta (Subject/कर्ता)
TypeNoun
Rootएक (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), बहुवचन; संख्यावाचक-प्रयोग (some)
नृत्यम्dance
नृत्यम्:
Karma (Object/कर्म)
TypeNoun
Rootनृत्य (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2nd/कर्म), एकवचन
प्रचक्रिरेbegan; performed
प्रचक्रिरे:
Kriya (Action/क्रिया)
TypeVerb
Rootप्र + कृ (धातु)
Formलिट् (Perfect); प्रथमपुरुष (3rd person), बहुवचन; आत्मनेपद (they did/began)
तत्पुरःin front of him/that
तत्पुरः:
Adhikarana (Adverbial locus/अधिकरण)
TypeIndeclinable
Rootतत् + पुरस् (अव्यय/प्रातिपदिक)
Formअव्ययीभाव-समास; अव्यय (indeclinable adverb: in front of that)
गीतम्song
गीतम्:
Karma (Object/कर्म)
TypeNoun
Rootगीत (कृदन्त-प्रातिपदिक; √गै/गाय्)
Formनपुंसकलिङ्ग; द्वितीया (2nd/कर्म), एकवचन
अन्येothers
अन्ये:
Karta (Subject/कर्ता)
TypeNoun
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/कर्ता), बहुवचन
तुbut
तु:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/भेद (particle: but/indeed)
स्तुतिम्praise; hymn
स्तुतिम्:
Karma (Object/कर्म)
TypeNoun
Rootस्तुति (प्रातिपदिक)
Formस्त्रीलिङ्ग; द्वितीया (2nd/कर्म), एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (and)
एवindeed
एव:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण (just/indeed)
तथाlikewise
तथा:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; समुच्चयार्थ (likewise/also)
परेothers (the rest)
परे:
Karta (Subject/कर्ता)
TypeNoun
Rootपर (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/कर्ता), बहुवचन

Narrator (contextual Purāṇic narration within Nāgara-khaṇḍa Tīrthamāhātmya)

Type: kshetra

Scene: Around the preta-king, attendants perform: some dance in a ring, some sing facing the throne, others stand with folded hands offering hymns; the scene is eerie yet ceremonially ordered.

P
Preta

FAQs

Outer displays can surround power, but the narrative drives toward the deeper question of what act truly brings welfare (śreyas).

Not named in this verse; it remains within the broader Tīrthamāhātmya context of Nāgara-khaṇḍa.

No direct prescription; it mentions performance modes—dance, song, and praise.