षष्ठी स्याद्देवगांधारी श्रीरागत्य प्रिया इमाः । आन्दोला कौशिकी चैव तथा चरममंजरी
ṣaṣṭhī syāddevagāṃdhārī śrīrāgatya priyā imāḥ | āndolā kauśikī caiva tathā caramamaṃjarī
La sixième est Devagāndhārī. Celles-ci sont chères à Śrīrāga ; et l’on nomme aussi Āndolā, Kauśikī et Caramamañjarī.
Sūta (Lomaharṣaṇa) (deduced)
Scene: Śrīrāga personified as a regal male deity of music, surrounded by beloved rāginīs—Devagāndhārī as the sixth, with Āndolā, Kauśikī, and Caramamañjarī—each depicted with distinct instrument and gesture, forming a devotional ensemble.
By placing musical forms within a sacred genealogy, the text frames aesthetic tradition as a vehicle of dharma and divine remembrance.
No specific tīrtha is named in this verse.
None is stated.