षोडशर्चं महासूक्तं नारायणमयं परम् । तस्यापि पाठमात्रेण ब्रह्महत्या निव र्तते
ṣoḍaśarcaṃ mahāsūktaṃ nārāyaṇamayaṃ param | tasyāpi pāṭhamātreṇa brahmahatyā niva rtate
Ce suprême Grand Hymne de seize vers, entièrement pénétré de Nārāyaṇa : par sa seule récitation, même le péché de brahma-hatyā (le meurtre d’un brāhmaṇa) est repoussé et s’éteint.
Narratorial voice within Tīrthamāhātmya (deductively: Sūta/Lomaharṣaṇa-like purāṇic narrator addressing listeners)
Type: kshetra
Scene: A brāhmaṇa recites a sixteen-verse hymn before a small shrine; syllables appear as luminous script forming a protective aura that repels a dark ‘brahma-hatyā’ shadow; Nārāyaṇa’s presence is suggested as all-pervading light.
Devotional recitation centered on Nārāyaṇa is presented as a powerful purifier capable of overcoming even the gravest karmic stains.
The verse occurs in a Tīrthamāhātmya setting (Nāgarakhaṇḍa), emphasizing tīrtha-linked worship, though this single verse itself highlights the hymn’s power rather than naming a site.
Pāṭha—reciting a sixteen-verse Mahāsūkta dedicated to Nārāyaṇa—as an act of purification/prāyaścitta.