एतैर्मुख्यतमैः सृप्तैः फूरा श्राद्धं विनिर्मितम् । स्वयं पितामहेनैव ततो देवा विनिर्मिताः
etairmukhyatamaiḥ sṛptaiḥ phūrā śrāddhaṃ vinirmitam | svayaṃ pitāmahenaiva tato devā vinirmitāḥ
Lorsque ces êtres les plus éminents furent dûment comblés, la forme entière du śrāddha fut établie. Ensuite, par Pitāmaha (Brahmā) lui-même, les autres dieux furent engendrés.
Narrator in Nāgarakhaṇḍa (contextual: Śrāddha-kalpa exposition)
Scene: Brahmā presides as the archetypal lawgiver; the rite of Śrāddha appears as a structured mandala—first Viśvedevāḥ gratified, then other devas manifest in tiers, indicating ritual completeness.
Śrāddha is portrayed as a primordial, divinely instituted rite—its authority is cosmic, not merely social.
This cosmogonic framing appears within the Hāṭakeśvara-kṣetra Māhātmya section, linking place-based devotion with ancestral duty.
The rite is to be performed by first gratifying the foremost divine recipients (contextually the Viśvedevās), completing Śrāddha in its proper form.