शनिदेशे मध्यरात्रौ महीसागरसंगमे । जातीजं रावणो लिंगं जपन्नाम सुदुर्जयम्
śanideśe madhyarātrau mahīsāgarasaṃgame | jātījaṃ rāvaṇo liṃgaṃ japannāma sudurjayam
Dans le domaine de Śani, à minuit, au point où la terre rejoint l’océan, Rāvaṇa adore un liṅga de bois de jāti, en psalmodiant le Nom « Sudurjaya », l’Invincible.
Lomaharṣaṇa (Sūta), per Māheśvarakhaṇḍa default attribution
Tirtha: Mahī-sāgara-saṅgama in Śani-deśa (Sudurjaya-liṅga)
Type: sangam
Scene: At midnight on a moonlit shore where waves meet the earth, Rāvaṇa performs intense japa before a small liṅga carved from fragrant jāti-wood; Śani’s austere region is suggested by dark skies and a stern, fated atmosphere.
Śiva is ‘Sudurjaya’, beyond conquest by any power; intense discipline of time and place (midnight, liminal shore) is framed as potent devotion.
A seashore confluence (mahī–sāgara-saṃgama) is praised as a liminal sacred setting, but the text here does not name a particular coastal tīrtha.
Japa of the name ‘Sudurjaya’ while worshipping a jāti-made liṅga, specifically performed at midnight at the land–ocean meeting.