लक्ष्मीं श्रियं च कमलां कमलालयां च पद्मां रमां नलिनयुग्मकरां च मां च । क्षीरोदजाममृतकुंभकरामिरां च विष्णुप्रियामिति सदाजपतां क्व दुःखम्
lakṣmīṃ śriyaṃ ca kamalāṃ kamalālayāṃ ca padmāṃ ramāṃ nalinayugmakarāṃ ca māṃ ca | kṣīrodajāmamṛtakuṃbhakarāmirāṃ ca viṣṇupriyāmiti sadājapatāṃ kva duḥkham
Pour ceux qui répètent sans cesse Tes Noms—«Lakṣmī, Śrī, Kamalā, Kamalālaya, Padmā, Ramā, Toi dont les mains portent une paire de lotus, Mā, Kṣīrodajā née de l’Océan de Lait, Toi qui tiens la jarre d’amṛta, Irā, et Viṣṇupriyā, bien-aimée de Viṣṇu»—où la douleur pourrait-elle demeurer ?
Agastya (stuti, contextually in Kāśīkhaṇḍa narrative)
Tirtha: Kāśīkṣetra
Type: kshetra
Scene: A sage and his wife seated in reverence, counting a mālā while reciting Lakṣmī’s many names; Mahālakṣmī appears in a gentle vision holding lotuses and a nectar pot, radiating comfort that dissolves sorrow.
Constant remembrance of the Goddess through her names is taught as a direct remedy for grief and inner instability.
Though the verse is a nāma-focused teaching, it is transmitted within Kāśīkhaṇḍa’s Kāśī context, enhancing the devotional merit.
Japa (repetition) of Lakṣmī’s epithets is explicitly recommended as a practice that dispels duḥkha (sorrow).