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Skanda Purana — Kashi Khanda, Shloka 16

गंधर्वोरगयक्षाणां सुवासिन्यः शुभस्वराः । गायंत्यो ललितं गीतं तत्राजग्मुरनेकशः

gaṃdharvoragayakṣāṇāṃ suvāsinyaḥ śubhasvarāḥ | gāyaṃtyo lalitaṃ gītaṃ tatrājagmuranekaśaḥ

Nombreuses furent les femmes richement parées des Gandharvas, des Nāgas et des Yakṣas—à la voix suave et au ton de bon augure—qui vinrent là en chantant des chants gracieux.

गंधर्वोरगयक्षाणाम्of the Gandharvas, Nāgas, and Yakṣas
गंधर्वोरगयक्षाणाम्:
Sambandha (Genitive/षष्ठी-सम्बन्ध)
TypeNoun
Rootगन्धर्व + उरग + यक्ष (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), बहुवचन; द्वन्द्वसमासः—गन्धर्वाश्च उरगाश्च यक्षाश्च
सुवासिन्यःwell-dressed women
सुवासिन्यः:
Karta (Subject/कर्ता)
TypeNoun
Rootसुवासिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), बहुवचन
शुभस्वराःhaving auspicious voices
शुभस्वराः:
Karta (Subject/कर्ता)
TypeAdjective
Rootशुभ + स्वर (प्रातिपदिक)
Formपुंलिङ्ग/स्त्रीलिङ्ग-प्रयोगे, प्रथमा (1st), बहुवचन; विशेषण—शुभः स्वरः यस्याः/येषाम्
गायन्त्यःsinging
गायन्त्यः:
Karta (Subject/कर्ता)
TypeVerb
Rootगै (धाातु) → गायन्ती (कृदन्त)
Formवर्तमानकालिक-शतृ (present active participle), स्त्रीलिङ्ग, प्रथमा (1st), बहुवचन; क्रियाविशेषणभावे ‘singing’
ललितम्graceful
ललितम्:
Karma (Object/कर्म)
TypeAdjective
Rootललित (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; विशेषण
गीतम्song
गीतम्:
Karma (Object/कर्म)
TypeNoun
Rootगीत (प्रातिपदिक; √गै क्त)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन
तत्रthere
तत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
आजग्मुःcame
आजग्मुः:
Kriya (Action/क्रिया)
TypeVerb
Rootआ + गम् (धातु)
Formलिट् (परिपूर्णभूत/Perfect), प्रथमपुरुष, बहुवचन; परस्मैपद
अनेकशःin many groups
अनेकशः:
Sambandha (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootअनेकशस् (अव्यय)
Formबहुत्ववाचक-अव्यय (adverb: ‘in many groups/ways’)

Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)

Tirtha: Kāśī

Type: kshetra

Listener: Sage-audience (implied)

Scene: Groups of celestial women—radiant, well-adorned—singing in flowing formation; their mouths mid-chant, hands in graceful mudrās; the air visibly ‘vibrant’ with music as they approach the sacred center.

G
Gandharva
U
Uraga
Y
Yakṣa

FAQs

Sacred space is celebrated through nāda and stuti—devotional music becomes an offering that sanctifies the gathering in Kāśī.

Kāśī as the magnet for celestial communities who honor the holy realm with song.

No formal prescription; it highlights devotional singing as a reverential act in a sacred assembly.