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Skanda Purana — Brahma Khanda, Shloka 6

तपस्तेपे महाविष्णुः सुरूपार्थं च पुत्रक । वाजिमुखो हरिस्तत्र सिद्धस्थाने महाद्युते

tapastepe mahāviṣṇuḥ surūpārthaṃ ca putraka | vājimukho haristatra siddhasthāne mahādyute

Là, Mahāviṣṇu accomplit l’austérité afin d’obtenir une forme belle, ô enfant bien-aimé. En ce siddha-sthāna rayonnant, Hari se manifesta comme Vājimukha, au visage de cheval.

तपःausterity
तपः:
Karma (Object/कर्म)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
तेपेperformed
तेपे:
Kriya (Action/क्रिया)
TypeVerb
Rootतप् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन, आत्मनेपद
महाविष्णुःMahāviṣṇu
महाविष्णुः:
Karta (Subject/कर्ता)
TypeNoun
Rootमहा + विष्णु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारय (महान् विष्णुः)
सुरूपार्थम्for the sake of a beautiful form
सुरूपार्थम्:
Prayojana (Purpose/प्रयोजन)
TypeNoun
Rootसु + रूप + अर्थ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; तत्पुरुष (सुरूपस्य अर्थः/हेतुः)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
पुत्रकO dear son
पुत्रक:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootपुत्रक (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन, एकवचन
वाजिमुखःhorse-faced
वाजिमुखः:
Karta (Predicate adjective/कर्ता)
TypeAdjective
Rootवाजि + मुख (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारय (वाजिमुखः = अश्वमुखः)
हरिःHari
हरिः:
Karta (Subject/कर्ता)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
तत्रthere
तत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक अव्यय (adverb of place: there)
सिद्धस्थानेin the siddha-place; holy seat of siddhas
सिद्धस्थाने:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootसिद्ध + स्थान (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी, एकवचन; तत्पुरुष (सिद्धानां स्थानम्)
महाद्युतेO one of great splendor
महाद्युते:
Sambodhana (Address/सम्बोधन)
TypeAdjective
Rootमहा + द्युति (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन, एकवचन; कर्मधारय (महती द्युतिः यस्य)

Īśvara (Śiva)

Tirtha: Siddha-sthāna of Vājimukha Hari (within Dharmāraṇya)

Type: kshetra

Listener: Skanda

Scene: Śiva’s narration culminates: Viṣṇu’s tapas for beautiful form results in Hari appearing as Vājimukha in a radiant siddha-sthāna.

M
Mahāviṣṇu
H
Hari
V
Vājimukha (Aśvamukha)
S
Siddhasthāna
D
Dharmāraṇya

FAQs

Tapas transforms and reveals divine potency; sacred places are siddha-sthānas where such transformation is remembered and accessed through devotion.

Dharmāraṇya described as a radiant siddha-sthāna associated with Vājimukha Hari.

Tapas is the highlighted practice; the verse identifies the form (Vājimukha) connected to the place rather than a specific rite.