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Skanda Purana — Avanti Khanda, Shloka 35

जितवाक्कायचित्ताश्च ध्येयध्यानरतास्तथा । कावेरीसङ्गमे तात तेऽपि मोक्षमवाप्नुयुः

jitavākkāyacittāśca dhyeyadhyānaratāstathā | kāverīsaṅgame tāta te'pi mokṣamavāpnuyuḥ

Ceux aussi qui ont dompté la parole, le corps et l’esprit, et qui se plaisent à la contemplation et à la méditation, au confluent de la Kāverī, cher enfant, obtiennent la délivrance (mokṣa).

जितवाक्कायचित्ताःthose who have conquered speech, body, and mind
जितवाक्कायचित्ताः:
Karta (Subject/कर्ता)
TypeAdjective
Rootजित (कृदन्त; √जि धातोः) + वाक् (प्रातिपदिक) + काय (प्रातिपदिक) + चित्त (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; वाक्-काय-चित्त (त्रयाणां) इति द्वन्द्वः; तानि जितानि येषां ते (बहुव्रीह्यर्थे प्रयोगः)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
ध्येयध्यानरताःabsorbed in meditation on the contemplated (deity)
ध्येयध्यानरताः:
Karta (Subject/कर्ता)
TypeAdjective
Rootध्येय (कृदन्त; √ध्यै धातोः) + ध्यान (प्रातिपदिक) + रत (कृदन्त; √रम् धातोः)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ध्येये ध्याने रताः इति सप्तमी-तत्पुरुषः (engaged in meditation on the object of contemplation)
तथाlikewise
तथा:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: likewise)
कावेरीसङ्गमेat the confluence of the Kaverī
कावेरीसङ्गमे:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootकावेरी (प्रातिपदिक) + सङ्गम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन; कावेर्याः सङ्गमे इति षष्ठी-तत्पुरुषः
तातO dear one/father
तात:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootतात (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन, एकवचन
तेthey
ते:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; सर्वनाम
अपिalso/even
अपि:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अप्यर्थक-अव्यय (particle: also/even)
मोक्षम्liberation
मोक्षम्:
Karma (Object/कर्म)
TypeNoun
Rootमोक्ष (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
अवाप्नुयुःmay attain
अवाप्नुयुः:
Kriya (Action/क्रिया)
TypeVerb
Rootअव + आप् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, बहुवचन; परस्मैपद

Sūta (deduced, Revā Khaṇḍa narrative style)

Tirtha: Kāverīsaṅgama

Type: sangam

Listener: Addressed as 'tāta' and within king-directed discourse; likely the king as primary listener with affectionate vocative used in narration.

Scene: Ascetics seated at the confluence in meditation; the two rivers meet like a luminous 'yoga' of waters; subtle presence of Śiva as the dhyeya in the sky or within a liṅga shrine.

K
Kāverī
S
Saṅgama
M
Mokṣa

FAQs

Self-mastery and meditation, when rooted in a powerful tīrtha, are said to culminate in mokṣa rather than merely worldly or heavenly rewards.

The Kāverī saṅgama—understood in this adhyāya as the Kāverī–Narmadā confluence.

A discipline of restraint (speech/body/mind) and meditative absorption (dhyāna) practiced at the saṅgama.