The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
रक्तोत्पलं च हस्ताब्जैर्दधतं चारुभूषणम् । बालेंदुबद्धमुकुटमर्द्धनारीश्वरं स्मरेत् ॥ १६२ ॥
raktotpalaṃ ca hastābjairdadhataṃ cārubhūṣaṇam | bāleṃdubaddhamukuṭamarddhanārīśvaraṃ smaret || 162 ||
Qu’on se souvienne d’Ardhanārīśvara : paré de beaux ornements, tenant un lotus rouge de ses mains semblables au lotus, et portant une couronne fixée par le croissant de lune.
Sanatkumara (in instruction to Narada on dhyana/upasana method)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It prescribes a precise dhyāna (meditative visualization) of Ardhanārīśvara, emphasizing the non-dual unity of Śiva and Śakti as a direct support for concentrated worship and inner integration.
By giving a concrete form for remembrance—ornaments, lotus, and crescent-crown—it turns devotion into steady smaraṇa (recollection), allowing the mind to rest on the deity’s qualities and form as an act of bhakti.
It reflects applied ritual-technology: dhyāna-lakṣaṇa (iconographic specification) used in worship procedures—an operational aspect often aligned with kalpa-style practice (ritual method) within the Purana’s technical instruction stream.