Nityā-paṭala-prakaraṇa
The Exposition of the Nityā-paṭala
विकीर्णकेशीमालोललोचनामरुणारुणाम् । वायुप्रेंखत्पताकास्थपदा पद्मकलेवराम् ॥ ९४ ॥
vikīrṇakeśīmālolalocanāmaruṇāruṇām | vāyupreṃkhatpatākāsthapadā padmakalevarām || 94 ||
Ses cheveux étaient dénoués et épars; ses yeux, agités et vacillants; et elle rayonnait d’une rougeur profonde. Ses pieds reposaient sur des étendards flottant, bercés par le vent, et son corps avait la forme et l’éclat du lotus.
Narada (describing a divine/ritual visualization within the Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It functions as a dhyāna-style portrayal: vivid sensory details steady the mind, turning attention from distraction to a concentrated, worshipful vision suitable for mantra-japa and ritual contemplation.
By giving a concrete, emotionally charged depiction of the revered form, it supports bhakti through remembrance (smaraṇa) and focused visualization, making devotion practical and immediate during worship.
It aligns with ritual application—using prescribed imagery for dhyāna in worship—supporting the technical side of practice often paired with Vedāṅga disciplines (especially śikṣā for correct recitation and kalpa-style ritual procedure).