Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
षड्दीर्घाढ्येन बीजेन कुर्याश्चैव षडंगकम् । लोहितां ललितां बाणचापपाशसृणीः करैः ॥ ३५ ॥
ṣaḍdīrghāḍhyena bījena kuryāścaiva ṣaḍaṃgakam | lohitāṃ lalitāṃ bāṇacāpapāśasṛṇīḥ karaiḥ || 35 ||
Avec le bīja-mantra enrichi de six voyelles longues, qu’on accomplisse le nyāsa aux six membres (ṣaḍaṅga). Puis qu’on médite la Déesse, rouge de splendeur et d’une grâce exquise, tenant en ses mains la flèche, l’arc, le lasso (pāśa) et l’aiguillon (aṅkuśa).
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links precise mantra-phonetics (a seed-mantra characterized by long vowels) with inner sanctification through ṣaḍaṅga-nyāsa and focused deity-visualization, showing that correct sound, placement, and contemplation together make worship effective.
Bhakti here is expressed as disciplined upāsanā: the devotee performs nyāsa and then lovingly meditates on the Goddess’ form—red and graceful—so devotion becomes steady through clear visualization and mantra-anchored attention.
Śikṣā (Vedic phonetics) is implied by the emphasis on dīrgha (long vowels) in the bīja, and Kalpa-style ritual procedure is reflected in the instruction to perform ṣaḍaṅga-nyāsa as a standardized preparatory rite.