Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
पुष्पेषुमंबुजं चैव नृकपालाभये तथा । दधानां दक्षिणैर्हस्तैर्ध्यायेद्देवीमनन्यधीः ॥ १६८ ॥
puṣpeṣumaṃbujaṃ caiva nṛkapālābhaye tathā | dadhānāṃ dakṣiṇairhastairdhyāyeddevīmananyadhīḥ || 168 ||
L’esprit inébranlable et unifié, qu’on médite la Déesse : de ses mains droites Elle tient des fleurs, un lotus, un crâne humain et le mudrā d’Abhaya, le geste qui confère l’intrépidité.
Narada (instructional narration within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It prescribes a precise dhyāna (visualization) of the Devī, teaching that focused contemplation on her attributes—beauty (flowers/lotus), transcendence of fear (abhaya), and mastery over mortality (skull)—stabilizes the mind and empowers ritual worship.
Bhakti here is expressed as ananya-dhī (one-pointed devotion): the devotee serves through steady remembrance and meditative attention to the Devī’s form, making inner contemplation itself a mode of worship.
It reflects practical ritual science: dhyāna-lakṣaṇa (iconographic/meditative specification) used alongside mantra and pūjā-vidhi—an applied, technical approach aligned with Vedāṅga-style precision in liturgical performance.