Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
सुविनद्यंतरस्थैस्तन्नदात्मसु यथाक्रमम् । आधाररंध्रहृत्स्वेकं द्वितीयं लोचनत्रये ॥ १४८ ॥
suvinadyaṃtarasthaistannadātmasu yathākramam | ādhāraraṃdhrahṛtsvekaṃ dvitīyaṃ locanatraye || 148 ||
Ensuite, en faisant résonner avec soin le son intérieur qui demeure dans les nāḍī (canaux subtils), qu’on progresse selon l’ordre à travers ces formes sonores : la première pose est dans l’ādhāra (racine), dans le brahmarandhra (ouverture suprême) et dans le cœur ; la seconde, dans la triade des yeux.
Narada (teaching in a Vedanga/technical-yogic instruction stream)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It points to an inner discipline where nāda (subtle sound) is used as a structured contemplative support, moving awareness through key inner loci (root/support, cranial aperture, heart, and eye-centers) toward steadiness and liberation-oriented insight.
While framed as a technical inner practice, it supports bhakti by refining attention and inner purity—making the mind fit for one-pointed remembrance and worship of the Divine through disciplined inwardness.
It reflects a technical application of sound (nāda) and ordered practice (krama), aligning with the Narada Purana’s Third Pada focus on disciplined methods and precise procedural knowledge akin to Vedanga-style systematization.