Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चतुर्भुजां त्रिनयनां माणिक्यमुकुटोज्ज्वलाम् । पाशांकुशामिक्षुचापं दाडिमीशायकं तथा ॥ ११५ ॥
caturbhujāṃ trinayanāṃ māṇikyamukuṭojjvalām | pāśāṃkuśāmikṣucāpaṃ dāḍimīśāyakaṃ tathā || 115 ||
Médite sur Elle comme ayant quatre bras et trois yeux, resplendissante d’un diadème étincelant serti de rubis; portant le lacet (pāśa) et l’aiguillon (aṅkuśa), ainsi que l’arc de canne à sucre et la flèche de grenade.
Sanatkumara (in instruction to Narada, describing the deity for dhyana/puja visualization)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It gives a precise dhyāna-lakṣaṇa (meditative iconography): by visualizing the deity’s form and emblems, the practitioner steadies the mind and aligns worship with śāstric (text-authorized) symbolism.
Bhakti here is practiced through focused remembrance (smaraṇa) and reverent visualization of the deity’s auspicious form—turning devotion into a disciplined, repeatable meditative act during pūjā and japa.
It reflects applied ritual science—devatā-rūpa nirūpaṇa used in mantra-sādhana and pūjā (a technical aid to correct dhyāna and nyāsa), even though it is not a grammar/astrology rule itself.