Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
दधानां बाहुभिर्वामैः कह्लारं हेमश्रृंगकम् । पुष्पेषुं मातुलिंगं च दधानां दक्षिणैः करैः ॥ १०७ ॥
dadhānāṃ bāhubhirvāmaiḥ kahlāraṃ hemaśrṛṃgakam | puṣpeṣuṃ mātuliṃgaṃ ca dadhānāṃ dakṣiṇaiḥ karaiḥ || 107 ||
De ses bras gauches, Elle porte le lotus kahlāra et un emblème aux cornes d’or ; de ses mains droites, Elle tient la flèche de fleurs et le fruit mātuliṅga (cédrat).
Narada (in a descriptive, instructional narration within the dialogue framework)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: bhakti (devotion)
It teaches dhyāna through iconographic precision: the deity’s held symbols are not decorative, but contemplative cues (ālambana) that focus the mind and invoke specific powers—purity (lotus), auspicious splendor (golden emblem), devotional attraction (flower-arrow), and nourishment/blessing (citron).
Bhakti is strengthened by concrete remembrance (smaraṇa) and visualization (dhyāna). By meditating on the deity’s attributes as described, a devotee turns attention from distraction to loving, steady worship with a clear mental form.
It reflects applied ritual science—how accurate form-description supports upāsanā and pūjā procedures (a practical, technical layer often paired with mantra and nyāsa), aligning worship with prescribed lakṣaṇa (defining marks).