The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
विलिख्य पूर्वं षट्कोणं त्रिकोणत्रितयं ततः । पद्ममष्टदलं बाह्ये भूपुरं तत्र पूजयेत् ॥ ९ ॥
vilikhya pūrvaṃ ṣaṭkoṇaṃ trikoṇatritayaṃ tataḥ | padmamaṣṭadalaṃ bāhye bhūpuraṃ tatra pūjayet || 9 ||
D’abord, trace un hexagone; puis dessine l’ensemble des trois triangles. À l’extérieur, dessine un lotus à huit pétales, et au-delà le bhūpura, l’enceinte carrée qui l’entoure. Dans ce diagramme, qu’on accomplisse le culte.
Narada (teaching ritual/yantra construction in a technical-vidhi context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that worship (pūjā) is to be performed within a properly constructed sacred diagram, where geometric layers (hexagon, triangles, lotus, and bhūpura) create an ordered ritual space for invoking and concentrating the deity’s presence.
Bhakti here is expressed as disciplined upāsanā: devotion is not only emotion but also careful ritual attention—preparing the yantra and then worshipping within it as an act of reverent focus.
It highlights technical ritual procedure (kalpa-style vidhi) and mandala/yantra construction—practical know-how for drawing prescribed forms (ṣaṭkoṇa, trikoṇas, aṣṭadala padma, bhūpura) as part of worship.