The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
तर्जनीमध्यमाभ्यां तु कृत्वा तालत्रयं ततः । छोटिकामुद्राया कुर्याद्दिग्बन्धं देवतां स्मरन् ॥ ६६ ॥
tarjanīmadhyamābhyāṃ tu kṛtvā tālatrayaṃ tataḥ | choṭikāmudrāyā kuryāddigbandhaṃ devatāṃ smaran || 66 ||
Ensuite, avec l’index et le majeur, qu’on fasse trois claquements; puis, en formant la Choṭikā‑mudrā, qu’on établisse le digbandha (sceau des directions) en se souvenant de la divinité.
Narada (instructional narration within the Vedāṅga/ritual-technical section, traditionally framed in dialogue with Sanatkumāra)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It teaches that ritual protection (digbandha) is not merely physical gesture—its efficacy is linked to conscious remembrance of the deity while sealing the directions.
By explicitly requiring smaraṇa (remembrance) of the deity during the act, it frames the technical rite as devotion-centered—gesture and protection are completed through mindful devotion.
It highlights practical ritual procedure—use of mudrā (hand-gestures) and tāla (clapping) as standardized actions for digbandha, a common protective step in worship and mantra-ritual contexts.